1916 
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Percy R. Pyne 2nd Prints to 
The American Art Association announces 
the sale, in February, of the Percy R. Pyne 
Ind Collection of views of N. Y. and other 
American cities. It is one of the most com- 
pleted and valuable that have ever been of- 
| fered at auction and includes a large num- 
‘ber of oils and watercolors. There are 
many early European views, 2 good repre- 
sentation O XVIII century work and many 
YIX century prints. The very scarce Sellar 
fand Fisher map appears as oes the rare 
i Wall Street lithograph of 1825 


Halsey Sporting Prints, $39,371. 

The sale of the Halsey Sporting Prints 
1 was concluded on the evening of Nov. 24, 
}at the Anderson Galleries, the total for the 
;session being $18,253.50. which made the 
grand total for the two sessions, $39,371, 
and for the two parts of the collection al- 
ready sold, $94,000. Mr. J. F. Sabin gave 
$1,050 for a set of aquatints of British 
Sports, from designs by S. Howitt, London, 
1807. He also gave $485 for Alken’s | 
aquatint of the Derby of 1820: $350 for: 


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THE 


FREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART II 


SPORTING PRINTS 


INCLUDING 


Coaching Scenes, Driving Sketches, Views of Games and Sports, 
Fishing and Hunting Scenes, and Engravings of 


Famous Horses 


TO BE SOLD 


THURSDAY AND FRIDAY EVENINGS 
NOVEMBER 23 AND 24, 1916 


AT 8:15 o’cLOCK 


On Public Exhibition from Monday, November 13th 


THE ANDERSON GALLERIES 


Mapison AVENUE AT FORTIETH STREET 
NEW YORK 


CONDITIONS OF SALE | 


1, All bids to be PER LoT as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also 
reserves the right to reject any fractional or nominal bid which in his 
judgment may delay or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be resold immediately. 


4, The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which The Anderson Galleries, Incorporated, will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur- 
chasers, and The Anderson Galleries, Incorporated, will not be responsible 
for the correctness of the description, authenticity, genuineness, -or for 
any defect or fault in or concerning any lot, and makes no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. But 
upon receiving before the date of sale, expert opinion in writing that 
any lot is not as represented, The Anderson Galleries, Incorporated, will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 


7. TERMS CAasH. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lots 
as remain uncleared after twenty-four hours from the conclusion of the 
sale, will be resold by either private or public sale at such time as The 
Anderson Galleries, Incorporated, shall determine, without further notice, 
and if any deficiency arises from such re-sale it shall be made good by the 
defaulter at this sale together with all the expenses incurred thereby. 
This condition shall be without prejudice to the right of The Anderson 
Galleries, Incorporated, to enforce the contract with the buyer, without 
' such re-sale. 


8. Bios. We make no charge for executing orders for our customers 
and use all bids competitively, buying at the lowest price permitted by 
other bids. 


9. The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers and 
packers. 


The Prints will be on Exhibition from November 13th 
Priced Copy of this Catalogue may be secured for $1.00 


The Anderson Galleries 


Incorporated. 


MADISON AVENUE AT FORTIETH STREET, NEw YORK. 
TELEPHONE, Murray HIuu, 7680 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


PREFACE 


Mr. Hausey’s collection of Sporting Prints is not as large 
as some of the other divisions, but it is extremely interesting. 
The prints, selected with great care, include many rarities. 
They relate to a great variety of subjects, show the work of 
many famous painters, and will appeal strongly to all sports- 
men and collectors. Most of the prints are, of course, in very 
fine condition. 

Those who love the dog will find original drawings by Atkin- 
son, mezzotints by Ward and Watson, the famous ‘‘Bayard”’ 
and “‘ Helipse’’ by Pratt, the very scarce ‘‘Harriers’’ by Leney, 
and, among scores of other rarities, the ‘‘Spanish Pointer,”’ 
by Woolett, 1768, which is regarded by many connoisseurs as 
the finest engraving of a dog ever made. 

The Coaching Prints, comprising a large part of the collec- 
tion, embrace many rarities. Here are charming original 
water-color drawings by Rowlandson and Atkinson, litho- 
graphs by Fox, the scarce views of London by Dagaty, 1797, 
and the very rare set, ‘‘A Trip to Brighton,’’ from drawings 
by Paul. Among the prints by Rosenberg is the famous ‘‘ Royal 
Mails’’; Pollard is represented by several prints after his own 
drawings, notably by the ‘‘Stage Coach Passengers,’’ while the 
‘‘Elephant and Castle’’ and ‘‘ Approach to Christmas’’ show 
the genius of Hunt, and ‘‘No Time to Spare,’’ ‘‘Under 
Weight,’’ ‘‘Highgate Channel,’’ and the ‘‘Four-in-Hand 
Club’’ are among the celebrated aquatints by Harris. 

Among the Hunting Prints are mezzotints by Valentine 
Green, line engravings by Elliott, the famous Portrait of the 
Earl of Egremont by Stubbs, the ‘‘Courseing’’ and ‘‘Looking 
for a Hare’’ after Howitt, the celebrated ‘‘Coursers Taking 


the Field,’’ drawn and engraved by Pollard, and his equally 
rare and valuable ‘‘ Easter Monday”’ and ‘‘Epping Forest.’’ 

The Racing Prints include ‘‘Epsom Races’’ and ‘‘Life of 
the Racer’’ by Sutherland after Alken, the very rare set en- 
graved by Hill and published in New York in 1850, superb 
open letter proofs of ‘‘Haphazard’’ and ‘‘Muly Moloch’”’ by 
Cooke, original drawings by Cruikshank and Henderson, fine 
mezzotints by Ward of ‘‘Selim’’ and ‘‘Rosette’’ and his 
famous ‘‘Match for a Thousand Guineas.”’ 

Among the distinguished artists and engravers represented 
in other divisions of the catalogue are Young, Jukes, Alken, 
Clark, Hunt, Earlom, and Pollard. Of course Dodd’s famous 
aquatints, ‘‘HEscape’’ and ‘‘Grey Diomed,’’ 1792, are in the 
collection, and so are the ‘‘Start for the Derby’’ and ‘‘ Coming 
in from the Derby’’ by Hunt after Turner—two of the finest 
racing aquatints ever executed. 

The sale includes a few very choice books, mainly of colored 
plates by Turner, Newhouse, Hunt, Cruikshank, and Alken. 
Some of these are very rare. 


LEE: 
FREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART II 
SPORTING PRINTS 


FIRST SESSION 


Thursday Evening, November 23, 1916, at 8:15 o'clock 
LOTS 1-268 


BOOKS ON BIRDS 


1 BRITISH FEATHER GAME. 14 beautiful mezzotint 
plates by C. Turner printed in colors. Each mounted 
on heavy board and bound in large oblong folio, half 
blue morocco. No general title, but each plate num- 
bered and lettered at the bottom. 


A handsome work. Each plate has been folded, and shows 
a mark. 


2 GOULD (JOHN). Monograph of the Trochilide; or, 
Family of Humming-Birds. Illustrated with 360 
beautifully colored plates, each representing several 
figures of these gorgeously plumaged birds, life size, 
with the native tropical vegitation. 5 vols. imp. folio, 
handsomely and substantially bound in full green 
levant morocco, gilt backs in compartments, wide gilt 
cover borders, gilt inside borders, full gilt edges. 

Lond.: Published by the Author, 1861 

A most desirable copy of this important and sumptuous work, 

with the hand-colored plates in brilliant and immaculate con- 

dition. The designs for all the plates were sketched by the 

author himself, from his own remarkable collection which was 

exhibited at the Great Exhibition in 1851 in a building which 
he erected at his own expense. 


3 GOULD (JOHN). The Ramphastide; or, Family of 
Toucans. With 2 Supplements. Containing 53 folio 
plates, richly colored. 3 vols. atlas folio, one volume 
in full crimson morocco, gilt backs and borders, gilt 
edges (supplements in boards). Lond. 1834-55 


Fine copy of the scarce First EDITION, with the beautiful 
plates in all their brillian coloring. Bound in with the original 
work is the Scarce First EpiTion of ‘‘MoNOGRAPH OF THE 
TROGONIDAE.’’ With 36 folio colored plates. Lond. 1838. 
With bookplate of F. R. Halsey. 

A choice and desirable copy. 


DOGS AND OTHER ANIMAL SUBJECTS. 


4 DASH. Famous Setter. 


Mezzotint by C. Turner. Painted by J. L. Agasse. 
Full margins, large folio. 


5 THE BITER BIT. 
Aquatint by J. Sutherland after Henry Alken 1835. 
_ In colors. Small folio. 


6 MISCELLANEOUS colored lithographs after Alken, ete. 
VARIOUS SUBJECTS OF DOGS. Quarto. (6) 


7 FOX CARRYING OFF A DUCK. 
Painted by Richard Ansdell. Line-engraving by H. T. 
Pyall. Proof before letters, margins, oblong folio. 
Mounted on stretcher ready to frame. (Slight tear.) 


8 BITCH AND PUPS. 
Mezzotint by C. Turner, 1825. Painted by T. Bennett. 
Full margins. 
SPANIELS. 


Mezzotint by T. Lupton after A. Cooper. Fine impres- 
sion. Small folio. (2) 


9 PORTRAIT OF A DOG, belonging to Lord Bentwick. 


Mezzotint by J. Watson, 1768, after G. Barrett. Very 
brilliant impression. Folio. Rare. 


10 THE OLD PENSIONER and A HUMBLE SERVANT. 
Heads of Donkeys painted by Rosa Bonheur. En- 
graved by W. H. Simmons. First states, signed artist’s 
proofs on India paper, large folios. (2) 


6 


at 


12 


13 


14 


15 


16 


17 


18 


a 


20 


21 


SCOTCH CATTLE. 
Painted by Rosa Bonheur. Line-engraving by Mottram 
1862. Proof before letters. Walnut frame, engraved 
corners. Rare in proof state. 


THE DURHAM OX. 
Engraved by Whessel, 1802. After Boultbee. Finely 
colored, large margins. Folio. 


A FAMOUS SETTER. Property of the Marquis of Ely. 
Mezzotint by William Ward, 1825. After H. B. Chalon. 
Rare proof before all letters, large margins. Folio. 


A PUG. 
Mezzotint by William Ward, 1806, after H. B. Chalon. 
Open letter proof. 

THE FOX TERRIER and THE ROUGH TERRIER. 
Mezzotints after De Wilde, published in 1806 by Laurie 
and Whittle. Quartos. (3) 


A TERRIER. 
Mezzotint by William Ward, 1828. After H. B. Chalon. 
Large margin, finely colored. Small folio. 


SETTERS. 
Engraved by J. C. Webb after Edwin Douglas. Folio. 


CHAMPION D’ORSAY. 
Mezzotint engraved by Richard Josey after Maud Earl. 
First state, signed artists’ proof on India paper. 


MISCELLANEOUS HEADS OF DOGS. 
Lithographs by Thomas Fairland, 1834. After A. 
Cooper. India paper. 


DASH, a valuable pointer belonging to Col. Thornton. 
Engraved by S. Gilpin. Rare open letter proof, fine 
impression, folio. 


PHILLIS, a pointer of Lord Clermont’s. 
Mezzotint by Benjamin Green, 1772. Finely colored. 
Rare, small folio. 


HARRIERS. 
Engraved by William Leney from a painting by J. P. 
Hackert, 1799. Finely printed in colors. Large margins, 
folio. VERY RARE. 
(See Frontispiece. ) 


7 


22 


23 


24 


DOG AND FOX. A RENCOUNTER IN A FARM 
YARD. (Cock and Pheasants.) 


Aquatints by H. Pyall printed in colors, after G. Jones, 
London, 1825. Small folio. (2) 


HIGHLAND PIPER. 
Engraved by Beckwith after Landseer. India paper 
proof. 
BITCH AND PUPS. 
Mezzotint by C. Turner after Bennett. 
FRENCH DOGS. 
Engraved by Basan after Bachelier, proof. Small folio. 
| (3) 
THE TWA DOGS. 
Engraved by P. Gibbon after Landseer. 


OTTER HOUNDS. 
Etched by Gilbert. 


_ PINCHER. 


29 


26 


27 


28 


29 


Engraved by Scott after A. Cooper. 


NEWFOUNDLAND DOG. 
Trial proof. (4) 


CELEBRATED POINTER ‘‘SANCHO.’’ 


Engraved by ©. Turner after Benjamin Marshall. 
London, 1808. Folio. 


Finely printed in colors. 


DOGS. 


Engraved by G. Shepheard after George Morland. 
London, 1797. Full margin. Folio. 


A DOG AND CAT. 


Mezzotint by J. R. Smith, 1794. After George Mor- 
land. Small folio. 


Fine impression. Rare. 


A LITTER OF FOXES. 


Mezzotint by J. Grozer, 1797, after George Morland. 
Large margins and brilliant impression. Folio. 


SETTERS. 
Mezzotint by William Ward, 1806. Printed by George 
Morland. Brilliant impression, full margins. Folio. 


8 


30 


31 


32 


33 


34 


30 


36 


Oo” 


38 


39 


NEWFOUNDLAND ‘‘BAYARD.?’’ 


Engraved by Joseph B. Pratt after Frank Paton. 
First state, signed artist’s proof on India paper, large 


folio. 
Companion to Collie ‘‘ Eclipse,’’ No. 32. 


ANOTHER PROOF OF THE SAME. 
Painted by Frank Paton. Mezzotint by Pratt, 1886. 
Full margins. Handsome antique oak and bronze 


frame. 
Companion to ‘‘ Eclipse.’’? No. 33. 


COLLIE ‘‘ECLIPSE.”’ 
Engraved by Joseph B. Pratt after Frank Paton. 
First state, signed artist’s proof on India paper, large 
folio. 
Companion to New Foundland ‘‘ Bayard,’’ No. 30. 
ANOTHER PROOF OF THE SAME. 
Painted by Frank Paton. Mezzotint by J. B/ Pratt, 
1886. Signed artist’s proof on India paper. Full 
margins. Antique oak and bronze frame. 
Companion to ‘‘Bayard,’’ No. 31. 


‘““NOT AT HOME” (Terriers and Ferret). 


Etching by Frank Paton, signed proof, in oak frame. 
Also colored print of Hansom Cab and Horse. (2) 


PAUL POTTER’S BULL. 
Aquatint by Aubertin, 1803. Finely printed in colors. 
Folio. 


THE SPANIEL. 
Engraved by John Scott. After a painting by Reinagle. 
Rare proof before letters on India paper, uncut margins. 
London, 1830. Folio. 


SPRINGING SPANIELS. 
Rare aquatint by F. C. Lewis, 1806. After Reinagle. 
Large margins, fine impression. Folio. 


POINTERS. 
Mezzotint by William Ward, 1806. After Sartorius. 
Open letter proof, small folio. 


Fine impression. Rare. 


MISCELLANEOUS. 
Etchings and mezzotints. Setters, Pointers, ete. After 
Snyders, Van Dyck, and others. (5) 


9 


40 


41 


42 


43 


44 


45 


46 


47 


A SPANISH POINTER. 


Engraved by Wiliam Woollett, 1768. After George 
Stubbs. Very rare first state, proof before letters, un- 
usually fine impression, good margin. Folio. WiTH 
AN UNFINISHED TRIAL PROOF OF THE SAME, (2) 

THE FINEST ENGRAVING EVER MADE OF A DOG. 


SPANISH POINTER. After Stubbs. 
SETTER and PARTRIDGES. After Seymour. 
SNIPE SHOOTING. 


Rare mezzotints by T. Burford, 1794. Fine impres- 
sions, small folios. (8) 


POINTERS. 
From a painting by Titian in possession of the Duke 
of Bedford. Engraved by George T. Stubbs. Margins 
trimmed at the top and sides. Folio. Fine impression. 


CELEBRATED POINTER ‘‘WHISKER.”’ 
Engraved by Barnard after C. Turner. 


THE SPORTSMAN AT HOME, by Raddin after Cozins. 
FANNY AND PUPS. Proof before letters. (3) 


A POINTER. 
Engraved by John Scott after Martin Ward. Proof 
before letters on India paper, uncut margins, very fine. 
Folio. 

POINTER AND PUPS. 


Mezzotint. Painted and engraved by James Ward. 
Margins cut close. Small folio. 
VERY FINE. 


BELGRAVE JOE. 
Mezzotint by Herbert Sedeole after Arthur Wardle. 


A MEMBER OF THE HUMANE SOCIETY. 


Mezzotint by Gilbert Hester after Caldwell. Signed 
artist’s proofs on India paper. Folio. (2) 


DANCING DOGS. 
Mezzotint by G. Phillips after Witherington. On India 
paper with large margin, small folio. 


10 


48 


49 


50 


ol 


52 


53 


54 


5) 


56 


57 


A DOG FOX AND TERRIERS. 


Aquatint by Merke after Wolstenholme 1811. Large 
margins, small folio. 


MISCELLANEOUS. 
Engravings of Dogs, Still Life, ete. (8) 


MISCELLANEOUS DOGS. 
Woodecuts, etchings, ete. (14) 


WATER SPANIELS. 
Mezzotint. Brilliant impression, margins trimmed close. 


COACHING SCENES. 
Including a Number of Water-colors. 


THE ROADSTER’S ALBUM. 


Title and 16 full-page plates by C. B. Newhouse, all 
superbly colored. Folio, original stamped cloth (cover 
slightly stained), with extra red silk cover. 

Lond.: By Messrs. Fores, 1845 


The extremely rare First Epirion. Seldom found intact, as 
many were broken up and framed. 


FRENCH MAIL COACH, POST CHAISE, POST 
CHAISE WITH FOUR HORSES. 


Fine colored lithographs by V. Adam. Full margins, 
folios. (38) 


“MESSAGERIES IMPERIALES.’’ French mail with 
five horses. 


Lithographs in colors by V. Adam. Brilliant impres- 
sion. Full margins, folio. 


THE MAIL COACH. 


Painted by J. L. Agasse. Aquatint by M. Dubourg, 
1824. Printed in colors. Full margins, folio. 


STAGE WAGON. 


Painted by J. L. Agasse. Aquatint by J. Baily, printed 
in colors, large margins, folio. 


MAIL COACH EXETER AND LONDON. 


Original water-color drawing by J. A. Atkinson, 1807. 
Size 9x 1314. Mounted on cardboard. With colored 
etching of the same, published in 1807. (2) 


11 


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08 


59 


60 


61 


62 


63 


64 


65 


A POST CHAISE. 


Original water-color drawing by J. A. Atkinson (‘?) 
Size 9x18. Mounted with large margins. 


PLAN OF THE GARDEN AND HOUSE OF THE 
EARL OF LINCOLN. 


Surveyed and engraved by B. Bocque, 1737. Inset 
view of Coach. Margins, folio. Rare. 


GRETNA GREEN. 


Drawn on the spot by I. Clark. Aquatint printed in 
colors. Full margins, folio. London, 1825. 
Arrival of a coach with a wedding party. Very fine. 


VIEWS OF LONDON No. 1. 


Entrance of Picadilly or Hyde Park corner turnpike, ~ 


and St. George’s Hospital. Aquatint printed in colors; 
drawn and engraved in 1797 by Dagaty. Margins, 
folio. 


Showing the old Stage Coach, farm wagons, etc. Rare 
original issue of 1797. VERY RARE. 


VIEWS OF LONDON No. 2. 


St. George’s Road or the Obelisk Turnpike, with view 
of the Royal Circus. Aquatint drawn and engraved 
by Dagaty, 1797. Printed in colors, margins, folio. 
Published 1813. 


Showing Royal Mail Coach, ete. Rare and fine. 


LES DAMES BLANCHES ET LE FIACRE. Early 
French stage. 


Lithograph in colors by De Frey, 1825. Margins, small 
folio. 


CHARLES II OF SPAIN DESCENDS FROM HIS 
COACH TO DO HOMAGE TO THE HOLY 
SACRAMENT. 


Line-engraving by Romeyn de Hooghe, 1685. Margins 
trimmed, folio. 


THE GREAT COACH. 


Drawn by M. BE. Aquatint by G. Hunt, 1825. Finely 
printed in colors, margins, quarto. 


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67 


68 


69 


70 


71 


72 


73 


A STAGE. 


Drawing by M. E., Esq. Aquatint by G. Hunt, 1825. 
Brilliant impression finely printed in colors, full mar- 
gins, oblong folio. 


The Canterbury Coach is descending a hill with drag on 
wheel. RARE. 


STAGE COACH. London and Stamford. 


Aquatint finely printed in colors by J. Fairburn, 1820. 
Margins, small folio. Rare. 


THE BRIGHTON COACH. 
Lithograph in colors by E. Fox with the announcement 
in the lower margin: ‘‘The Item leaves Crosweller’s 
Blue Office, Brighton, every morning at 8 o’clock for 
London (thro’ Reigate) Returning the Same Day from 
the Boar and Castle, Oxford Street, at 3.’’ Quarto. 


Extremely rare and in perfect condition. 


THE BLENHEIM, LEAVING THE STAR HOTEL 
AT OXFORD. 
Painted ‘by G. Havell. Aquatint by F. J. Havell. 
Finely printed in colors, large margins, folio. Rare. 
Dedicated to the members of the original Benevolent Whip 
lub. 


A LONDON MAIL AND STAGE COACH. 
Aquatint by Robert Havell, 1819. Finely printed in 
colors, full margins, folio. 


Very charming scene of an old English Wayside Inn. Rare. 
Companion to Paris Diligence and Cabriolet. 


THE OXFORD AND OPPOSITION COACHES. 
Aquatint by Robert Havell, 1824. Fine impression 
printed in colors, full margins, folio. 

The Coaches are entering London at Hyde Park Corner. 
RARE. 


A PARIS DILIGENCE AND CABRIOLET. 
Aquatint by Robert Havell, 1825. Fine impression 
printed in colors, full margins, folio. 
Companion to ‘‘ London Mail and Stage Coach.’’ Rare. 


COACHING RECOLLECTIONS. The Night Team, 
Brighton Mail, Ready to Start, Pulling up to Unskid, 
Changing Horses, Waking up, Bull and Mouth Inn 
Yard. 

Painted by Cooper Henderson. Fine aquatints in 
color, margins cut close, old impressions. (7) 
Fine framing subjects. 


13 


74 


15 


76 


77 


78 


79 


80 


81 


FORE’S COACHING RECOLLECTIONS. Road Versus 
Rail. Going up Hill. Snowed Up. The Flood. 
Painted by Cooper Henderson. Aquatints in color. 
Margins trimmed close, folio. (4) 


The old impressions were trimmed and mounted on cards. 
Very effective framing subjects. 


LONDON ROYAL MAIL. 


Painted by Cooper Henderson. Aquatint in colors, 
margin cut close, folio. 


THE OLD INN YARD. STARTING OUT. CHANG- 
ING HORSES. 
Aquatints printed in colors after Cooper Henderson. 
Trial proofs, margins, small folios. (38) 


THE TAGLIONI! Windsor and London Coach at Full 
Speed. 
From a water-color by Cooper Henderson. Aquatint 
by J. Harris, 1837. Brilhant impression printed in 
colors, margin, folio. 
VERY RARE. 


THE TURNPIKE GATE. 
Painted by Cooper Henderson. Engraved by J. Har- 
ris, 1879. Finely colored, small margins, folio. Very 
effective night scene. 


THE MAIL CHANGE. THE TEAM. 


Painted by J. F. Herring, engraved by J. Harris. 
Finely colored, full margins, folio. (2) 


A BAROUCHE. Team of four Greys. 
Aquatint engraved by R. Hixon, 1813. Very brilliant 
impression printed in colors, with French mat, folio. 
E:XCEEDINGLY RARE, 
(See Illustration.) 


“THE BIRTH-DAY TEAM.”’ 


Aquatint drawn and engraved by Charles Hunt, 1824. 
Printed in colors, small margins, but with all the text 
below. Slghtly torn and mended. Folio. 


The Devonport and London Mail passing Windsor Castle. 
Exceedingly scarce in such fine original condition. 
Companion to ‘‘The Roadsters,’’ No, 83. 


14 


82 


83 


84 


85 


86 


87 


88 


89 


THE RED ROVER. Southampton Coach. 
Aquatint by Charles Hunt, 1836. Very brilliant im- 
pression printed in colors, full margins, folio. 
A VERY SCARCE PRINT IN SUCH BEAUTIFUL CONDITION. 


“THE ROADSTERS.’’ 
Aquatint drawn and engraved by Charles Hunt, 1824. 
Exquisitely printed in colors. Small margins, but with 
all the text below. Folio. 


The New London Union Coach is shown in typical English 
landscape. EXCEEDINGLY SCARCE IN SUCH FINE ORIGINAL CON- 
DITION. 

Companion to the ‘‘Birth-Day Team,’’ No. 81. 


A STAGE COACH. 
Painted by S. J. E. Jones. Aquatint by George Hunt, 
1827. Brilliant impression finely printed in colors. 
Full margins, folio. 
UNUSUALLY FINE COPY. 


THE ELEPHANT AND CASTLE AT NEWINGTON. 
Painted by S. J. Jones. Aquatint by George Hunt, 
1826. Finely printed in colors. Good margins, large 
folio. | 

EXCESSIVELY RARE. 
A fine companion to Pollard’s Elephant and Castle. No. 111. 


EDINBURGH. A view of the old Town, taken from 
Clark’s Circulating Library. 
From a drawing by A. Kay. Aquatint finely printed 
in colors, 1825. Small margins, folio. 
The London Coach is shown. VERY RARE. 


LONDON PARLIAMENT STREET AT 5 P. M. 
Painted by Eugéne Lami. Colored lithograph by 
Villain. Humorous representation. Large margins, 
folio. 


THE RACE COURSE AT CHANTILLY. 
Painted by Eugéne Lami. Engraved by Newton Field- 
ing. 1841. Finely colored, folio. 
Spirited scene showing numerous equipages surrounding the 
race track. 


DILIGENCE ANGLAISE. (The Dover Tally-Ho! 
Coach. ) 
Drawn by Loeillot. Lithograph in colors by Villain. 
Margins, small folio. Fine coloring. Rare. 


15 


90 


91 


92 


93 


94 


95 


96 


97 


98 


LES JUMELLES, French Diligence. Paris to Bordeaux 
and Return. 


Lithograph by Loeillot, 1824. Fine coloring. Small 
margins, small folio. 


MALLE POSTE ANGLAISE. 


Lithograph in colors by Loeillot, 1825. Full margins, 
small folio. Fine impression. 


UNE CALECHE DE VOYAGE. (French Travelling 
Coach.) | 
Lithograph in colors by Loeillot, 1825. Full margins, 
folio. 


UNE VOITURE DE ST. GERMAIN. French coach 
unicorn team. 
Lithograph in colors by Loeillot, 1824. Full margins, 
folio. 


SUMMER. Landscape with coach, ete. 
Painted by Loutherborough. Line-engraving by Picot. 
London, 1784. Rare proof before letters, margins, 
folio. 


A FALSE ALARM ON THE ROAD TO GRETNA 
GREEN. ‘‘ ’TIS ONLY THE MAIL.’’ 
Painted by C. B. Newhouse. Aquatint by H. Reeves, 
1858. Brilliant impression printed in colors, full 
margins, folio. 
The elopers have stopped to change horses, when the mail 
coach overtakes them. 


NO TIME TO SPARE FOR REFRESHMENTS, 
OVERTAKEN BY THE OPPOSITION. 

Painted by C. B. Newhouse. Aquatint by J. Harris, 
1836. Printed in colors, full margins, folio. 


RARE IN SUCH PERFECT CONDITION; A VERY BRILLIANT IMPRES- 
SION. 


OPPOSITION COACHES AT SPEED. 


Painted: by Newhouse. Aquatint by F. Rosenberg, 
1832. Printed in colors, full margins, folio. 
The Southampton Coach in the lead. 


THE ROADSTERS ALBUM. 


Drawn by C. B. Newhouse. Aquatints finely colored. 
London, 1845. Full margins, small folios. (17) 


A series of spirited Coaching incidents. 


16 


99 UNDER WEIGH WITHOUT A PILOT. 


Painted by C. B. Newhouse. Aquatint by J. Harris, 
° 1836. Brilliant impression, finely printed in colors, 
full margins, folio. 


The team of the Liverpool Royal Mail has taken fright and 
is running away at full speed without a driver. 


EXCEEDINGLY 
FINE COPY. 
100 COACHING RECOLLECTIONS by Frank Paton. 
Etchings, colored photographs, ete. Quarto. (10) 
101 A TRIP TO BRIGHTON. AN AMUSING SERIES 
OF VIEWS ON THE ROAD. 
From drawings by John Dean Paul, Esq. Finely 
colored aquatints, 1824. Oblong folio. (4) 
This set of four is VERY RARE. 
102 


APPROACH TO CHRISTMAS. 


Painted by James Pollard. Aquatint by George Hunt, 
1820. Finely printed in colors, small margins, folio. 


One of Somer’s rare coaching incidents. The Norwich Times 


with six horses is seen loaded with Christmas turkeys, etc. 
Very rare. BRILLIANT IMPRESSION, 


103 ARRIVAL OF THE STAGE COACH. 
Drawing by James Pollard. Aquatint by Robert 
Havell, 1824. Finely printed in colors. , Large mar- 
gins, folio. 
VERY RARE. 
104 


ANOTHER IMPRESSION. 


Finely printed in colors. Margin slightly trimmed at 


the bottom. Rare earlier state before the lettering on 
the wall at the right. 


105 THE OLD BIRMINGHAM COACH. 
Painted by James Pollard, 1820. Aquatint, brilliant 
impression printed in colors, margins, folio. 
This is an unusually scarce Pollard Coaching print. 
106 


THE BIRMINGHAM TALLY HO! COACHES 
PASSING THE ‘‘CROWN”’ AT HOLLOWAY. 
Painted by G. Pollard. Aquatint by C. Bentley, 1828. 
Beautifully printed in colors, large margins, folio. 
EXCEEDINGLY RARE COACHING PRINT IN FINE CONDITON. 


17 


107 


108 


109 


110 


111 


112 


113 


114 


THE CAMBRIDGE COACH. 
Painted by James Pollard, 1824. Aquatint finely 
printed in colors, full margins, folio. 


Fine landscape with a country mansion in the background. 
Rare. 


THE CAMBRIDGE TELEGRAPH. 


Painted by James Pollard. Aquatint by G. Hunt, 
1825. Printed in colors, full margins, folio. 


COTTAGERS HOSPITALITY TO TRAVELLERS, 
OR THE COACH FAST IN THE SNOW. 
Aquatint by James Pollard from a water-color drawing 
by himself, 1820. Brilliant impression printed in 
colors, margins, folio. 
A very unusual subject of Pollard’s. 


THE EDINBURGH EXPRESS. 


Painted by James Pollard. Aquatint finely cue 
large margins, folio. 


THE ELEPHANT AND CASTLE ON THE 
BRIGHTON ROAD. 

Painted by James Pollard. Aquatint engraved by 

Theodore Fielding, 1826. Magnificent impression 

beautifully printed in colors. Full margins, perfect 

condition, large folio. 


An unusually fine copy of this important Pollard coaching 
scene. See No. 85. 


FOUR-IN-HAND. 
Water-color drawing by James Pollard. Aquatint by 
Robert Havell, 1827. Brilliant impression printed in 
colors, margins, folio. 

The Coach is entering the gates to a Country Mansion. RARE. 


FOUR-IN-HAND. 


Painted by James Pollard. Aquatint finely colored, 
large margins, folio. 


THE FOUR-IN-HAND CLUB. Hyde Park. 


Painted by James Pollard. Aquatint by J. Harris, 
1838. Brilliant impression in colors, full margins, 
folio. (Creased.) 
VERY SCARCE. 
18 


115 


116 


117 


118 


419 


120 


121 


122 


A VIEW ON THE HIGHGATE ROAD. 
Painted by James Pollard. Aquatint by G. Hunt, 
1820. Finely printed in colors, full margins, folio. 
Beautiful impression of a very rare Coaching print. 


HIGHGATE TUNNEL. 
Painted by James Pollard. Aquatint by G. Hunt, 
1825. Brilliant impression printed in colors. Small 
margins. Folio. 

This print is seldom found in such fine original color. 


THE GRAND ENTRANCE TO HYDE PARK. 
Painted by James Pollard. Aquatint by R. & C. Rosen- 
berg, 1844. Printed in colors. Large margins, folio. 

Unusually fine copy of this rare print. A SUPERB IMPRESSION. 


THE LIVERPOOL UMPIRE. 


Painted by James Pollard. Aquatint by G. Hunt, 
1825. Finely printed in colors, large margins, folio. 
Unusually brilliant impression. 


CHANGING HORSES TO THE MAIL COACH. 


- From a drawing by James Pollard, 1815. Aquatint by 
Robert Havell. Very brilliant impression printed in 
colors. Margins trimmed at the top and sides. 


Shows the Dover Mail changing teams. <A very rare Pollard 
and one of his earlier pictures. 


MAIL COACH IN A FLOOD. 


Painted by James Pollard. Aquatint by F. Rosenberg, 
1827. Superb impression printed in colors. Full mar- 
gins, folio. 

Very rare in such fine condition. 


MAIL COACH BY MOONLIGHT. 
Painted by James Pollard. Fine aquatint by Charles 
Hunt, 1825. Beautifully printed in colors, large mar- 
gins, folio. 
The Edinburgh and London Mail is seen passing a turn-pike 
gate. Very rare in such fine condition. 


A MAIL IN DEEP SNOW. 


Painted by James Pollard. Aquatint by George 
Hunt, 1820. Finely printed in colors, folio. 


A very rare Pollard coaching scene. 
19 


123 


124 


125 


126 


127 


128 


129 


130 


MAIL COACH IN A DRIFT OF SNOW. 
Painted by James Pollard. Aquatint by G. Reeves, 
1825. Beautiful impression printed in colors, full mar- 
gins, folio. 
The York and Edinburgh Express has come to grief. 


THE MAIL-COACH IN A DRIFT OF SNOW. 
Painted by James Pollard. Aquatint by Himely. 
Finely colored, small margins, folio. Torn and 
mended. 


MAIL COACH IN A STORM OF SNOW. 


Painted by James Pollard. Aquatint by G. Reeves, 
1826. Well printed in colors. Margins, folio. — 


Fine winter scene. 


THE SNOW STORM. Delay of the Mail-Coach. 


After James Pollard. Aquatint by Himely finely 
colored, small margins, folio. . 7 


MAIL-COACH IN A THUNDER STORM ON NEW- 
MARKET HEATH. 
Painted by James Pollard. Aquatint by G. Reeves, 
1827. Brilliant impression printed in colors, margin, 
folio. 


MAIL BEHIND TIME. (The Manchester Coach pass- 
ing the Carnson Inn.) 


MAIL CHANGING HORSES. (The Hull Coach at 
the Falcon Inn.) 

Painted by James Pollard, 1832. Aquatint, early im- 

pressions of the plates in black. Margins, folio. (2) 


A pair of very scarce Pollards.’ 


ROYAL MAIL QUICKSILVER (Devonport and Lon- 
don). 

Painted by James Pollard. Aquatint by G. Hunt, 

printed in colors, full margins, folio. 


ROYAL MAIL COACH. 


Aquatint by James Pollard from a water-color drawing 
by himself. Very brilliant impression printed in colors, 
full margins, folio. 
The Coach is passing a toll gate in a typical English Village. 
VERY SCARCE IN SUCH FINE CONDITION. 


20 


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131 


132 


133 


134 


135 


136 


137 


THE ROYAL MAILS. Preparing to Start for the West 
of England. 
Painted by James Pollard. Aquatint by F. Rosenberg, 
1831. Printed in colors, large margins, folio. 


One of the rarest of all coaching prints. A very typical scene 
of an old English Inn Yard. A SUPERB IMPRESSION. 


THE ROYAL MAILS. Departure from the General 
Post-Office, London. 
Painted by James Pollard. Rare aquatint by R. G. 
Reeves, 1830. Beautifully printed in colors, large 
margins, folio. 
Spirited scene of the numerous old mail coaches. VERY RARE. 


NORTH COUNTRY MAILS AT THE PEACOCK, 
ISLINGTON. 

Painted by James Pollard. Aquatint by T. Suther- 

land, 1823. Very brilliant impression printed in col- 

ors, margins, folio. Mahogany and gilt frame, rounded 

corners. 


One of the most attractive of Pollard’s works and EXCEs- 
SIVELY RARE in such perfect condition. 


WEST COUNTRY MAILS AT THE GLOUCESTER 
COFFEE HOUSH, Picadilly. 
Painted by James Pollard. Aquatint by C. Rosenberg, 
1828. Very brilliant impression printed in colors, full 
margins, folio. 
EXXCESSIVELY RARE IN SUCH PERFECT CONDITION. Antique oak 
and gilt frame. 


MATTHEWS’S PATENT STAGE COACH. 
Drawn and engraved by James Pollard, 1824. Aqua- 
tint printed in colors, margins, folio. 
SUPERB IMPRESSION of a very rare Coaching scene. Old 
oak frame with gold ornaments. 


PADDINGTON AND BANK COACH. 
Aquatint by James Pollard from a water-color drawing 
by himself. Very rare proof before letters, beautifully 
printed in colors, full margins, folio. 
EXCEEDINGLY SCARCE. 


A VIEW ON THE ROAD TO NEWMARKET RACES. 
Painted by James Pollard. Aquatint, brilliantly printed 
in colors, margins, oblong folio. 

VERY RARE. 
21 


138 


139 


140 


141 


142 


143 


144 


THE LIGHT POST COACH. Liverpool and London. 


Drawn by James Pollard. Aquatint by Havell, 1820. 
Finely printed in colors, margins, folio. Antique oak 
frame with gold ornaments. 

VERY FINE IMPRESSION AND RARE IN SUCH CONDITION. 


NORTH EAST VIEW OF THE GENERAL POST 
OFFICE. 


Painted by James Pollard. Aquatint by Pyall. Bril- 
hant impression printed in colors. Small margins, 
folio. 

The Royal Mails (and Carts) preparing to start. VERY RARE. 


STAGE COACH. 


Painted by James Pollard. Aquatint by Dubourg, 
1822. Very brillant impression printed in colors, full 
margins, folio. 
The Brighton Mail ascending a steep hill, fine landscape. 
VERY SCARCE IN THIS FINE CONDITION. 


STAGE COACH PASSENGERS AT BREAKFAST. 


Aquatint by James Pollard from a drawing by himself, 
1819. Finely printed in colors, small margins, slightly 
torn and mended, folio. 
VERY SCARCE. 
(See Illustration. ) 


STAGE COACH SETTING OFF. 


From a water-color drawing by James Pollard. Aqua- 
tint by Robert Havell, 1826. Brilliant impression 
printed in colors, full margins, folio. 


STAGE COACH TRAVELLING. 


Painted by James Pollard. Aquatint by F. Rosen- 
berg, 1828. Brilliant impression printed in colors, un- 
eut margins, folio. 


The Derby Coach is ascending a very steep hill, the passengers 
are walking. Rare in such fine condition. 


STAGE COACH WITH THE NEWS OF PEACH, 


Painted by James Pollard. Aquatint by Robert Havell, 
1819. Finely printed in colors, full margins, slightly 
creased. Folio. 


The York Coach with six horses, is crossing a bridge at full 
speed, displaying banners with the word ‘‘ Peace,’’ announcing 
the news from the Congress at Vienna. 


22 


145 


146 


147 


148 


149 


150 


151 


152 


153 


154 


155 


THE UNICORN NORWICH COACH. 


Painted by James Pollard. Engraved by Charles Hunt. 
Finely colored, small margins, folio. 


“LES BEARNAISEH’’ FRENCH DILIGENCE. 
Lithograph by Raffet, 1829. Fine coloring, margin, 
small folio. 

‘““CITADINE.”’ French Diligence. 


Lithograph by Raffet. Fine coloring, margins trimmed 
close, small folio. 


“DAME BLANCHE.’’ French Diligence. 


Lithograph by Raffet, 1829. Fine coloring, full mar- 
gins, small folio. (Creased.) 


DILIGENCE LAFITTE & GAILLARD. 


Lithograph by Raffet, 1828. Fine coloring, full margins, 
small folio. 


FRENCH OMNIBUS. 


Lithograph by Raffet, 1828. Fine coloring, margins, 
small folio. 


A COACH AND SIX. 


Original water-color drawing by Thomas Rowlandson. 
Size 9x13. Mounted on cardboard with colored border. 


THE BEDFORD TIMES. 


Drawn and lithographed on stone by Benjamin aie 
Bedford. Brilliant impression printed in colors, mar- 
gins, folio. 


EXCEEDINGLY SCARCE. 


VOITURE DE L’ENTERPRISE ARMAND LE 
COMTE & CIE. 


Drawing by A. R. Lithograph finely printed in colors 
by de Frey. Full margins, folio. 


THE BRIGHTON MAILS, PASSING OVER HOOK- 
WOOD COMMON. 


Painted by J. Shayer. Engraved by Charles Hunt. 

Finely colored, folio. 

ANOTHER IMPRESSION. 

Fine old coloring, margins trimmed close to the print, 
23 


156 


157 


158 


159 


160 


161 


162 


163 


164 


SUMMER AND WINTER. THE LEEDS COACH. 


Painted by Shayer. Aquatints, early trial proofs, 
small margins, oblong folio. Very attractive subjects. 


(2) 
A VIEW OF THE BANK OF ENGLAND. 


Drawn by T. H. Shepherd, 1816. Aquatint by Havell, 
finely printed in colors. Full margins, folio. 
Bethnal Green Coach, etc., and a fine view of this famous 
bank. Rare. 


EAST INDIA HOUSE. 


Painted by T. J. Shepherd. Aquatint by J. C. Stadler, 
1816. Printed in colors. Large margins, folio. 


Showing the Brighton Coach. India House of New York 
is patterned after this famous old Club. 


A VIEW OF THE HORSE GUARDS from WHITE- 
HALL. 


Water-color drawing by T. H. Shepherd. Aquatint 
printed in colors by J. C. Stadler, 1816. Full margins, 
folio. 


ST. PAULS CATHEDRAL. South East View. 


Aquatint by J. C. Stadler, printed in colors, 1836. 
Large margins, folio. 
Showing the London and Bath Coach, ete. FINE. 


A FRENCH DILIGENCE. 


Drawn by Horace Vernet. Lithograph in colors by 
Delpech. Rare proof before letters, full margins, folio. 


A STAGE COACH. 


Painted by Horace Vernet. Lithograph in colors, by 
Delpech. Full margins, folio. Brilliant impression. 


THE OLD INN YARD. Dodsons coaching incidents. 


Painted by Walsh. Engraved by R. Stock. Finely 
colored, oblong folio, large margins. 


MAIL COACH BEHIND TIME. 


Painted by H. Walter. Aquatint by H. Pyall, 1827. 
Brilliant impression printed in colors, margins, folio. 
Companion to No. 165. Rare. 


24 


165 


166 


167 


168 


169 


170 


171 


172 


173 


174 


STAGE WAGON. Painted by H. Walter. 
Aquatint by H. Pyall, 1827. Brilliant impression 
printed in colors, margins, folio. 

Companion to No. 164. Rare. 


THE READING FLY TO PARIS. 


Caricature by Charles Williams, 1819. Finely colored, 
margins, folio. 


THE BOOKING OFFICE. 


Original water-color by Wolstenholme. Exquisite 
drawing in colors. Size, 6x8 inches. Also a hand- 
some hand-colored reproduction. (2) 


FULL SPEED. TAKING UP A PASSENGER. 
CHANGING HORSES. THE SNOW STORM. 

Original water-colors by Wolstenholme. Set of four 

finely executed drawings. Size of each, 3x6 inches. 


CARRIER’S FOUR IN HAND VAN. 


Aquatint, early proof before all letters, full margins, 


folio. 
Brilliant impression, VERY RARE. 


THE CONSEQUENCES OF BEING DROVE BY A 
GENTLEMAN. THE COMFORTS OF BEING 
DROVE LIKE A GENTLEMAN. 

Aquatints finely colored, full margins, oblong folio. (2) 


EAST INDIA HOUSE. 
Aquatint printed in colors, London, 1836. Margins 
trimmed, folio. 
The Brighton Coach is drawn up in front of the building. 


KING GEORGE IV IN HIS TRAVELLING CAR- 
RIAGE. 


Aquatint in colors. Published in 1823. Margins, ob- 
long folio. 
Brilliant impression. VERY SCARCE. 


PARISIENNE. Early French Coach. 
Lithograph in colors by Aubry. Small margins, folio. 


PRIVATE COACH WITH FOUR GRAYS. 
Aquatint, early proof before all letters, full margins, 
folio. 

Very brilliant impression. Exceedingly scarce. 


25 


175 THE ROYAL LEEDS AND LONDON UNION 
COACH. 


Aquatint, early proof before all letters. Full margins, 
folio. 
Brilliant impression. Exceeding rare. 


176 A TRIP TO MELTON. COACHING SCENES and 
INCIDENTS. 


Finely colored acquatints. A series of five plates 
mounted on one ecard, narrow margins, oblong folio. 
(5) 


DRIVING SKETCHES: 
Prints, Water-Colors, and Drawings. 


177 ALKEN COLORED PLATES. Specimens of Riding 

Near London. 18 fine colored plates by Henry Alken. 

3 parts, oblong folio, all in original thin brown printed 
wrappers (one back cover mounted). 

Lond.: Thomas MeLean, 1821 


COMPLETE SET OF THE First EDITION, VERY SCARCE IN 
ORIGINAL CONDITION AS ISSUED. The plates are all spotless and 
the wrappers in unusually fine shape. ‘‘Specimens of Riding’” 
contain some of Alken’s happiest equestrian figures. This copy 
has the printed slip in part two advertising ‘‘The Sporting 
Repository.’’ All the plates are properly dated 1821. 


178 RETURN FROM CHANTILLY. 
Lithograph in color by Adam. 


VOYAGEURS EGARES. 
Lithograph by H. Vernet. 


THE WEDDING CARRIAGE. 
Colored lithographs. (8) 


179 A COUNTRY PHAETON. 
Original pencil drawing by Henry Alken. Size 
614 x 834. 


180 ‘‘COUNTRY TANDEM”? driven by Sir John Lake. 


Aquatint by Henry Alken. Very early proof before 
all letters, in black. Large margins, oblong folio. 
Exceedingly rare in this state. 


181 ANOTHER IMPRESSION. 
Printed in colors. Margins trimmed and mounted. 


26 


182 


183 


184. 


185 


186 


187 


188 


189 


190 


191 


COUNTRY TANDEM, driven by Sir John Lake. 


Drawn by Henry Alken. Aquatint in color by J. Fair- 
burn. Small margins, oblong folio. 


A FINE YOUNG ENGLISH GENTLEMAN. One of 
the Modern Time. 


Painted by Henry Alken. Aquatint by Charles Hunt, 
1820. Early and brilliant impression in black. Large 
margins, folio. A very scarce Driving subject. 


A HUNTING PHAETON (TWO VIEWS). 


Drawings by Henry Alken. Aquatints by G. Hunt, 
1833. Brilliant impressions in colors, margins trimmed, 
mounted on cardboards. Oblong folio. (2) 


LEARNING TO DRIVE A TANDEM, ETC. 


Drawn by Henry Alken, 1823-1827. Etchings. Fine 
coloring, margins, quarto. Humorous subjects. (4) 


A SPORTING TANDEM AT COVER. 


Drawn by Henry Alken, engraved by R. G. Reeve, 1825. 
Finely colored, margins, folio. 


A TANDEM DOG CART. 


Original water-color drawing by J. A. Alken(?) Size 
10x17. Finely drawn. 


THE CARRIERS WAGGON. THE BAGGAGE 
WAGGON. 
Drawn and etched by Atkinson, 1807. Finely colored, 
margins. 
THE SUSSEX WAGGON. 
Stipple by Ogborne, 1793. Small margins. (3) 


‘*COUCOU.’’ Old French Cab. 


Lithograph in colors by Charles Aubry, 1830. Full 
margins, folio. 


A CABRIOLET. 


Line-engraving from a drawing by H. W. Bunbury, 
published 1772. Margins, quarto. 


CORPORAL FEAR. 


From a drawing by H. W. Bunbury. Stipple by I. 
Baldrey,1781. Margins, creased, small folio. 


27 


192 


193 


194 


195 


196 


197 


198 


199 


200 


SIR GREGORY GRIGG. 


Designed by H. W. Bunbury, Esq. Aquatint, early 
impression in black. Margins, small folio. London, 
J. R. Smith, 1782. 


VERY RARE. 


SLEIGHING. AMERICAN MODE OF TRAVEL- 
LING IN WINTER. 

Aquatints in colors after Burbank. Also two other 

sleighing scenes. Quarto. (38) 


LOFTY RIDING, OR Miss FOLLY’S HEAD EX- 
ALTED. | 

Mezzotint finely colored, from a painting by John 

Collet. Margins, small folio. Published by Carrington 

Bowles, London, 1781. 


RARE. Humorous subject, representing a disaster to the 
lady’s large hat. 


COMFORTS OF A CABRIOLET. THE ADVAN- 
TAGE OF A LOW CARRIAGE. 

Etched by Cruikshank, 1821. Finely colored, margins, 

small folio. (2) | 


COMING IT! and GOING IT. DRIVING AND 
RIDING. 
Drawn, etched and aquatinted by George Cruikshank, 
1824. Brilliant impressions printed in colors, full 
margins, folios. (2) 
Very rare in such fine condition. 


INCIDENTS ON THE ROAD TO THE DERBY. 
Original pencil drawing by R. Cruikshank. Size3x19. 


DEPART POUR LES EAUX. (French Post Chaise.) 


Painted by De Bonnemaison. Fine lithograph in 
colors 1860. Large folio. Antique oak and gilt frame. 


‘*PONEY-CHAISE.”’ 


After De Bonnemaison. Finely colored lithograph. 
Full margins, large folio. 


PROMENADE AU BOIS DE BOULOGNE, ATEL- 
LAGE A LA DAUMONT. 
Painted by De Bonnemaison. Lithograph in colors, 
1860. Large margins, folio. Antique oak and gilt 
frame. 
28 


[ 10% waaWAN | 


ATOINUNSO V 


202 


203 


204 


205 


206 


207 


208 


A TANDEM. A CURRICLE. 


Aquatints engraved by John Clark, 1810, from water- 
color drawings by Lieut. Downman. Brilliant impres- 
sions finely printed in colors, margins, folio. (2) 
The Duke of York and Miss Clark occupy the Curricle. A 
pair of most interesting driving subjects. Z-XCEEDINGLY RARE. 


(See Illustration.) 


CARICATURE OF THE PRINCE OF WALES AND 
MARY ROBINSON, DRIVING IN A HUMOROUS 
SORT OF VEHICLE. 


Original wash drawing in ink by Thomas Dighton. 
Size 6144x914. 


A CHAISE AND FOUR. CARRIAGE AND PAIR. 
SINGLE TRAP. 


Lithographs in tints by Fromentin. Large margins, 
folio. (3) 


THE EARLY MORNING RIDE. (TANDEM). 


Painted by Heyward Hardy. Signed artist’s proof on 
India paper, large margins, folio. 


A CABRIOLET. (TWO VIEWS). 


Aquatints by Robert Havell, 1834. Finely colored, 
large margins, folio. Rare. (2) 


VIEW OF THE TOWER OF LONDON AND THE 
MINT. 
Drawn and engraved by Robert Havell, 1821. Aqua- 
tint, fine colors, margins, folio. 
Various carts and carriages are shown. 


CAR-TRAVELLING IN SOUTH OF IRELAND, 1836. 
GETTING READY, HEARNS HOTEL, CLON- 
Seeio,- ON’ THE ROAD AT FULL PACE. 
ARRIVAL AT THE END OF A. STAGE. 
ARRIVAL AT WATERFORD, COMMIN’S 
HOTEL. 
Drawings by M. A. Hayes. Aquatints finely printed 
in colors by J. Harris, 1836. Large margins, ee 
THREE OTHER IMPRESSIONS. 
Three subjects only. (3) 


29 


209 


210 


211 


212 


213 


214. 


215 


216 


217 


PINKS AND TULIPS. ECCENTRICS. BUTTER 
CUPS and DAISIES. 


Painted by William Heath. Aquatints printed in 
colors by J. Gleadah. Small margins, oblong folio. (3) 


THE BRITSKA. 


Original water-color drawing by Cooper Henderson. 
Size 7x9. Finely executed drawing. 


THE HANSOM CAB. 


Finely executed drawing by Cooper Henderson. Size 
Cx At: 


THE TANDEM. 


Original water-color drawing by Cooper Henderson. 
Size 74,x101%. Very attractive subject. 


CARICATURE. BILLY BLUBBER or THE FLY- 
ING BUCK, GOING TO THE ENCHANTED 
CASTLE. 

Engraved by Henry, 1776, from a drawing by Topsham. 

Margins, quarto. 


WITH THE SPITALFIELDS PHAETON, 1773. 
Engraving. (2) 


DAISY. Celebrated Trotting Pony, 12 hands high. 


Line-engraving by Greatbach, 1859. From a drawing 
by Hind. Full margins, folio. Text in lower margin 
giving record of famous performances. Rare. 


A TANDEM. 


Aquatint engraved and published by R. Hixon, London, 

1813. Very brilliant impression printed in colors, 

margins, mounted in French mat. Oblong folio. 
EXCEEDINGLY RARE TANDEM SUBJECT. 


ANOTHER IMPRESSION. 
Printed in colors, small margins, torn and mended. 


TANDEMS. GOING TO COVER, by Hunt. A CAMP 
HOLIDAY. ‘‘STEADY BOY.”’ 


Colored prints. (3) 
80 


218 CELEBRATED AMERICAN TROTTING HORSE, 
TOM THUMB. 

Painted from life by E. F. Lambert. Aquatint printed 

in colors by G. & C. Hunt, 1829. Margins, folio. Text 

in the lower margin describing remarkable perform- 


ances. 
Unusually fine impression. 


219 “A FAVORITE COB.’’ Property of Mr. Lazarus of 
Bath. 
Painted by J. Loader. Aquatint by G. Hunt, 1820. 
Brilliant impression printed in colors, margins, folio. 
In harness to trap, drawn up in front of lodge gates. VERY 
RARE. 


220 A PHAETON. Patented by Mons. L. Quantin. 1833. 
Descriptive text in lower margin. Lithograph in 
colors by G. E. Madeley. Margins, folio. 


221 SCENE AT A COUNTY TOWN AT THE TIME OF 
A RACE. 
Drawn by W. Mason, Esq. Engraved by Valentine 
Green. Published July 26th, 1783, by V. Green. Fine 
impression, margins trimmed. 


Very rare print by Valentine Green; only two other copies 
known. 


“LA VIE D’UN GENTILHOMME, EN TOUTES 
SAISONS.”’ 


Painted by De Montpezat. Engraved by Jazet; beautifully 
printed in colors. Full margins, large oblong folios. Gambart 
and Co. London, 1846. 


222 SPRING. 
A Carriage with a pair of horses and outriders is 
drawn up at the foot of a terrace on which are several 
people about to descend. A boy’s pony and mounted 
eroom also attends. 


223 SUMMER. 
An open carriage drawn by four spirited horses is 
driven by a gentleman on box seat, accompanied by 
three ladies. Boy on pony, ete. 


224 AUTUMN. 
A hunting break drawn by four horses, accompanied 
by an equestrian in bright red coat. 
225 WINTER. 
A hunting break with sportsmen, returning with their 
spoil. 
31 


‘““CHEVAUX ET VOITURES.”’ 


A series of lithographs by Himely, LeBlane and Manceau 
after De Montpezat. Beautifully colored impressions, large 
folios, full margins. Goupil & Co., Paris, 1852. 


226 PLATE 1. ‘‘PHAETON A CAISSE FIXE.”’’ 
An Italian greyhound runs alongside of the carriage. 


227 PLATE 2. ‘‘CABRIOLET A QUATRE ROUES EN 
DEMI DAUMENT.”’’ 


Painted by Montpezat. Engraved by Himely. Fine 
coloring, full margins. Antique oak and bronze frame. 


228 PLATE 4. ‘‘TANDEM DE CHASSE ATTELE EN 
TANDEM.”’ 


Hunters returning with their game. 


229 PLATE 5. ‘‘LE PONEY CHAISE.?’’ 
Queen Victoria of England is driving the ponies, with 
a companion. Prince Albert rides alongside on. beauti- 
ful roan horse. 


230 PLATE 6. ‘‘LE CABRIOLET A POMPE.”’ 
Full margins, finely colored. Antique oak and bronze 
frame. 

231 PLATE 9. ‘‘THE BREAK.”’’ 
A pair of mettlesome grays are being tried out. 


202, PLATE 10.) **PONDBY CHAT Si. 


Drawn by fine pair of horses, with two beautiful 
women, and footman, accompanied by gentleman on 
bay horse in attractive riding costume. 


2338 PLATE 11. ‘‘DOG CART.”’ 
Two race horses, stand near by, a groom receiving in- 
structions from their owner seated in the cart. 


234 PLATE 12. ‘‘PHAETON.”’ 


Reined up in wooded road, two horsewomen are con- 
versing with the occupants. 


A continuation of the above series. Engraved by Harris 
after EK. Gherard. Finely colored impressions, full margins, 
same size. Goupil & Co. Paris, 1863. 

235 PLATE 13. ‘‘LE PASSAGE DE GUE.’ 
A earriage drawn by four beautiful bays is fording a 
stream, several equestrians in background. 


32 


236 


237 


238 


239 


240 


241 


242 


243 


244: 


PLATH 15. “LA PROMENADE.”’ 


A cabriolet with two horses and out-rider; two ladies 
in handsome costumes accompanied by gentleman on 
horseback. 


PLATE 16. ‘“‘EN ROUTE POUR LA CHASSE.’’ 


A coach and four with out-riders, with numerous 
huntsmen. 


PLATE 18.- ““LE TOUR DU LAC.”’ 
A phaeton drawn by splendid pair of blacks is driven 
by a lady with companion seated beside her. Young 
boy on pony and groom to attend them. 


VIEWS IN STUTTGARDT. Entrance to the Emperor’s 
Gardens. 
Aquatint by W. Nilson. Printed in colors. Large 
margins, folio. 
a Equipages and Equestrians. Brilliant impression. 
ARE. 


THE BAROUCHE. THE TANDEM. 
Aquatints printed in colors by James Pollard, 1812. 
Brilliant impressions, margins, small folio. (2) 

A pair of exceedingly scarce driving subjects. 


‘‘CREEPING SALLY.’’ TROTTING MATCH IN 
HARNESS AGAINST TIME. 1816. 
Painted by I. N. Sartorius. Aquatint by James Pol- 
lard. Brilliant impression printed in colors. Small 
margins, folio. Text in lower margin describing 
famous matches. 
VERY RARE. 


‘“CITADINE.’’ OLD FRENCH PUBLIC COACH. 
Lithograph in colors by Raffet, margins, small folio. 


THE CARRIAGE UPSET. 

From a drawing by G. Robertson. Line-engraving by 
Benazech, 1782. Fine impression, uncut margins, 
small folio. 


FRENCH TRAVELLING, or the FIRST STAGE 
FROM PARIS. 

From a drawing by Rowlandson. Aquatint by F. 

Jukes, 1792. Printed in colors, margins trimmed at 

top and sides, mounted, folio. 


33 


245 


246 


247 


248 


249 


250 


251 


252 


253 


THE GIG. 


Original water-color drawing by Thomas Rowlandson. 
Size 9x 914. Mounted with colored border and mat. 


HIGHWAYMEN ATTACKING A FOUR-IN-HAND. 


From a drawing by Rowlandson, 1791. Finely colored, 
margins, folio. Very rare. 


THE MODERN PHAETON. 


Original water-color by Rowlandson, 1790. Size 10x 12 
inches. Finely executed drawing. 


THE OLD WATERING HOUSE. 

Original water-color drawing by Thomas Rowlandson, 
1825. Travelers refreshing at a way-side inn. Old- 
fashioned pump and water trough. Size 8 x 12 inches. 


THE STAGE COACH AT THE INN. 
Drawn by Rowlandson, 1793. Etching, fine coloring, 
margins, quarto. 


TANDEMS AND GIGS. 
Colored aquatints by Rowlandson. Life in London. 
Miscellaneous, (4) 


SLEIGHING. Race of Sledges at Krasnoi-Kabak (The 
Red Tavern), Russia. 
Drawing by Sauerweid. Aquatint by Jazet. Printed 
in colors; small margins, folio. Descriptive text in 
English, French, etc., on lower margins. 
The scene is in the neighborhood of St. Petersburg during 
the Shrove-tide. 


THE CHAISH MATCH. Newmarket Heath, August. 
29, 1750. 7 

From an original drawing by Mr. Seymour. Line- 

engraving, full margins, fine impression, folio, Text 

in lower margin (English and French) describes this 

famous match for $5,000. Very rare. 


‘‘ONE OF THE FANCY.”’ 
Aquatint from a drawing by B. G. Tayler. Fine early 
impression in black, on India paper. Full margins, 
folio. In the lower margin is the stamp of Bourne, 
359 Broadway, New York. 


34 


204 


255 


256 


207 


208 


259 


260 


261 


THE CELEBRATED TOM THUMB. Property of 
G. Osbaldeston, Esq. 


Aquatint engraved by H. Pyall, 1831, from the original 

painting by F. C. Turner. Brilliant impression printed 

in colors, large margins, folio. Mounted on cardboard. 

Represents the trot from Cambridge to Royston, 16 miles in 

56 minutes 45 seconds, August 30, 1830. Text in the lower 
margin giving full details. VERY RARE. 


‘‘A SPICY TEAM’’ (Tandem). 


Painted by T. N. Walsh. Engraved by C. R. Stock. 
Finely colored, full margins, oblong folio. 


ANOTHER IMPRESSION. 


Early proof before all letters, in black. Large margins. 
Very rare in this state. 


CONFIDENCE. One of ‘‘Moore’s Celebrated Trotters. ”’ 
From a painting by Wombill. Aquatint by G. Hunt, 
1841. Brilliant impression in colors, large margins, 
folio. Text in lower margin giving pedigree and record 
of matches. Very rare. 


AN ENGLISH MACARONI AT PARIS. TIMOTHY 
AND HIS WIFE IN CABRIOLET. FRENCH 
PHYSICIAN GOING TO VISIT HIS PATIENTS 
(Sedan chair). 

Line-engravings (1772-1794). Quarto. An interesting 
lot. (3) 


GOING TO COVER. A SALISBURY BOOT TANDEM. 
Aquatint printed in colors, margins, small oblong folio. 
Very brilliant impression of a scarce Tandem subject. 


AN INVERSIBLE CURRICLE, WITH ONE HORSE 
UNTEAMED TO SHOW THE SITUATION OF 
THE STAYS. 

(Title also in French.) Plate 4 of a series. Old line- 
engraving, margins, oblong folio. 


LE GRAND QUARTIER DU DUC DE WELLING- 
TON. Public House, 1816. TANDEM, 1807. STAGE 
COACHES, 1873. MISCELLANEOUS. Etchings, 
aquatints; small folios. (4) 


35 


262 


263 


264 


265 


266 


267 


268 


Mr. MOORES NEW MACHINE FOR TRAVELLING 
WITHOUT HORSES. 


Line-engraving, published London, 1771. Large mar- 
eins, small folio. 
Very curious print. 


MY POST CHAISE. 


Old line-engraving, published by Carrington Bowles, 
London, 1785. Small margins, quarto. 


PHAETONA, or MODERN FEMALE TASTE. 


Line-engraving published by M. Darly, 1776. Margins, 
small folio. Rare. 


POSTING IN SCOTLAND AND POSTING IN IRE- 
LAND. 


Lithographs. Finely colored, margins inlaid, folios. (2) 


SLEIGHING IN NORTH AMERICA. FOUR-IN- 
HAND and TANDEM. 


Aquatints, fine coloring. London, 1844. Margins, 
small folios. (2) 


A TROTTING SULKY. 


Rare aquatint about 1820, finely printed in colors, 
margins cut close, folio. Antique oak frame with 
bronze ornaments. 


VIEW OF THE HOUSE AT TWICKENHAM OCCU- 


PIED BY THE DUKE OF ORLEANS 1800-1807. 
Aquatint finely colored. Large margins, folio. 


36 


BOTTOM FISHING 


[ NUMBER 283 | 


‘ » > er 


hes = 
7 
= 3 
> € rm 
Ae 
; ’ 
: 


SECOND SESSION 


Friday Evening, November 24, 1916, at 8:15 o’clock 


269 


270 


271 


272 


273 


274 


275 


276 


LOTS 269-496 


FISHING SCENES 


DELINEATIONS OF BRITISH FIELD SPORTS. 


Plate X of a very rare work. Drawn and lithographed 
in color by Samuel Alken. London, 1821. Oblong 
folio. 


PATIENCE IN A PUNT. 


From a drawing by H. Bunbury. Stipple colored. 
London, 1793. 


ANOTHER FISHING SCENE. 


By Samuel Alken, lithograph in colors, 1817. Large 
margins, small folio. (2) 


SALMON FISHING. 

Drawn by Henry Alken. Aquatint by I. Clark, 1820. 
Printed in colors. Matted close at the top and sides. 
Small folio. Antique oak frame. 


FRENCH FISHERMEN. THE SEINE AND THE 
TRAWL. 


Exquisite aquatints in color by Himely after Callow. 
Full margins. Folios. (2) 


BOYS FISHING. 


Mezzotint by Wm. Ward after William Collins. Open 
letter proof, 1820. Small folio. 


SALMON. CARP. PERCH. PIKE. 


Painted by A. Cooper. Aquatints by W. Wood, 1830. 
Printed in colors, margins, 8vo. Antique oak and gilt 
frames. (4) 


TROUT. 
Mezzotint by Richard Earlom, 1824. Painted by S. 
Elmer. Fine impression, margins. Folio. Rare. 


ANOTHER IMPRESSION. 
Margins trimmed close and mounted. 
37 


277 


278 


279 


280 


281 


282 


283 


284: 


285 


286 


PUNT FISHING. SALMON FISHING. TROUT 
FISHING. 


Very fine lithographs in color drawn by W. Gauci. 
Published 1857 by Tegg, London. Full margins. Very 
large folios. (3) 


SALMON FISHING. 


Drawn and lithographed by W. Gauci. Finely colored, 
margins trimmed at the top and sides. Antique oak 
frame. 


THE YOUNG FISHERMAN. 


Painted by Robert Havell. Aquatint printed in colors. 
Very fine. Small margins, quarto. 


FISHING FOR TUNY. 


Aquatint in Sepia, drawn and engraved by Houet. 
Small folio. 


FISHING SCENES. 


Etchings by Charles Jacque. Net fishing, ete. Proofs. 
Quarto. (4) 


MAY, FLY-FISHING, and OCTOBER, EVENING. 


Aquatints in color by H. Pyall after Jones. Full mar- 
gins, small oblong folios. (2) 


BOTTOM FISHING. 
Painted by J. Pollard. Aquatint printed in colors, 
1831. Margins, folio. 
A rare example of Pollard’s Fishing plates. VERY FINE. 
(See Illustration.) 


FLY-FISHING. 


Painted by James Pollard. Aquatint by Himely, 
1825. Very brilliantly printed in colors, margins, 
folio. Very rare. English oak and gilt frame. 


LIVE-BAIT FISHING FOR JACK. 


Aquatint by R. G. Reeve, after J. Pollard. Finely 
printed in colors. Full margins, small folio. 


DORSET FISHERMEN WITH THEIR CATCH. 


Painted by Reinagle. Aquatint by Hassel and 
Nichols, 1813. Finely printed in colors. Margins cut 
at top and sides. Very rare Fishing plate. English 
oak and gilt frame. 


38 


287 


288 


289 


290 


291 


292 


293 


294 


295 


296 


297 


FISHING SCENES, SUMMER, and NIGHT FISH- 
ING. - 


Line-engravings by Gillis Sadeler after Pieter Stevens, 
1540-1620. Fine impressions. Oblong folio. Very 
rare. (2) 


FISHING SCENES, MORNING and NOON. 


Lithographs by J. Seymour, 1839. Etching by Frank 
Paton, Loch Awe, ete. Quarto. (6) 


WALTONIZING or GREEN-LAND FISHERMEN. 
Drawn and etched by Shortshanks. Finely colored. 


FISH-FAGS. 

Aquatint in colors by Hunt after Summers. Small 
folios. (2) 

PROSPECT ON THE RIVER WIE. 

Line-engraving by Vivares, after T. Smith. London, 
1769. Full margins, fine impression. Folio. Charm- 
ing fishing scene. 

FISHING SCENES. 


After Vanderneer, Mozin, etc. lLine-engravings and 
mezzotint by Martens. Small folio. (3) 


FISHING SCENES. 

Published at Antwerp, 1578. Line-engravings. From 
‘‘Stradani Venationes Ferarum, Avium, Piscium, ete. 
After Jan Van der Straet. Quarto. (3) 


FISHING SCENES, ITALIAN VIEWS. 
Painted by Jules Vernet and LeCroix. Line-engray- 
ings by LeBas, Godefroy, ete., 1773. Small folios. (5) 


FISHING SCENES. 
Engravings by Cornelius Visscher, ete. 8vo. (4) 


JACK. ROACH. TENCH. BREAM. BARBEL. 
Finely colored etchings, margins, quarto. Old English 
oak and gilt frames. (5) 


THE LITTLE FISHERMAN. 
After Taenzel, engraved by Sleich. 
FISHING FOR HEARTS and MIRACULOUS DRAFT 


OF FISHES. 
By Moret. Printed in colors. Quarto. (3) 


PORTRAITS 
Of John Kirby, celebrated Angler, and George Wilson, 
Pedestrian. 8vos. ne) 


39 


HUNTERS AND HUNTING. 


298 ALKEN COLORED PLATES. Hunting, or Six Hour’s 
Sport, by Three Real Good Ones, from the East End, 
and Without Seeing a Hound. Also, the plates for 
One Day’s Sport of Three Real Good Ones. 12 full- 
page colored plates, by Henry Alken. Oblong folio, 
full brown morocco, gilt edges (2 plates with margins 
torn into, only one affecting the plate). 

Lond.: Thomas McLean, 1823 

First Epirions. Only the first has the title. Together these 
form a very rare set of Alken prints and all bear the proper 
date of 1823. The plates depict the misadventures of three 
amateur sportsmen, the first set on horseback, the other a-foot. 
There was no copy of ‘‘One Day’s Sport’’ in the Dulles Sale. 


299 GOING HOME. 


Drawn by Henry Alken. Rare aquatint printed in 
colors by T. Sutherland, 1817. Folio. 


300 THE LEICESTERSHIRE COVERS. 


Painted by Henry Aiken. Aquatint finely printed in 
colors, oblong folio. 


301, COURSING. Plate No. 1. 
Drawing by Barenger. Aquatint in colors by J. 
Sutherland. London, 1809. Oblong folio. 


302 THE MEET AT BADMINTON. 


Painted by Barrand. Engraved by William Giller. 
Published in 1847. Large margins, large folio. 


303 PORTRAIT OF ARTHUR WENTWORTH, Age 75. 
Earth Stopper to the Earl of Carlisle, ete. 
Painted by N. Drake. Rare Mezzotint by Valentine 
Green, 1767; one of his earliest plates. Fine impres- 
sion with margins, small folio. 
VERY SCARCE. 


304 COURSEING. LOOKING FOR A HARE. 
Painted by S. Howitt. Aquatints printed in colors, 
1794. Margins trimmed. (2) 
RARE AND EXCEEDINGLY INTERESTING. 
(See Illustration.) 


305 COURSERS TAKING THE FIELD AT HATFIELD 
PARK. 
Aquatint drawn and engraved by James Pollard, 1824, 
Brilliant impressions printed in colors, margins, creased 
in middle and mounted on cardboard, folio. 
EXCESSIVELY SCARCE, 


40 


306 


307 


308 


309 


310 


311 


312 


313 


314 


EASTER MONDAY. EPPING FOREST. Turning 


out the Stag at Bucketts Hill and a View of Fair- 
mead Bottom. 
Drawn and engraved by James Pollard, 1820. Aqua- 
tints, brilhant impressions printed in colors, margins, 
oblong folios. (2) 


EXCEPTIONALLY FINE PAIR OF STaG HuUNTINGS, AND EXCEED- 
INGLY RARE EXAMPLES OF POLLARD’S WORK. 


HOUNDS FINDING. 


From a drawing by Rowlandson. Finely colored, 
margins, small folio. 


GOING TO COVER. 


Painted by J. Seymour. Aquatint by Burford, 1761. 
Margins cut at top and sides. Folio. (Creased.) 


HUNTER JUMPING OVER A GATE. 


Drawing by J. Seymour. Mezzotint by T. Burford, 
1770. Brilliant impression, margins, small folio. 
VERY SCARCE. 


IN FULL CHASE. 


Painted by J. Seymour. Line-engraving by P. C. Canot 
1754. Folio. Rare. 


CATCHING THE COLTS. Painted by J. Smith. 


Line-engraving by W. Elliott, 1769. Small margins, 
folio. 


PORTRAIT OF GEORGE O’BRIEN WYNDHAM, 8rd 
EARL of EGREMONT. Mounted on his favorite 
hunter in a landscape. 

Painted by George Stubbs. Stipple engraving by Geo. 
T. Stubbs, 1793. Margins, folio. 


Very brilliant impression of an excessively rare hunting 
subject. 


A HAWKING PARTY. 


Old line-engraving by Jan Van de Velde, 1670. Small 
margins. Quarto. Rare. 


THE HUNTSMAN. 
Painted by Joseph van Haecken. Rare mezzotint by 
Alexander van Haecken. Margins trimmed closely at 
top and sides. Small folio. From the Belmont collec- 
tion. 

4] 


315 


316 


317 


318 


319 


320 


321 


322 


PUGILISM AND PUGILISTS. 


THE BOXING BARONESS. Portait of Mary Pearce, 
‘‘Uady Barrymore.’’ 
Colored etching, quarto. 


‘fA PRIVATE TURN UP.”’ 


Drawn and etched by Henry Alken, 1825. Finely 
colored. Small margins inlaid. (2) 


PORTRAIT of THOMAS CRIBB. 

From a drawing by C. Sharples. Stipple engraving by 
W. M. Fellows. Published by Thomas Cribb, 1815. 
Small margins, quarto. From the Oliver Belmont 
collection. 


PORTRAIT of THOMAS CRIBB, the champion of 
England, 1811. 

Engraved by Warren from a drawing by De Wild, 

1812. Full margins. 8vo. 


A MILLING MATCH BETWEEN CRIBB. AND 
MOLINEAUX, Sept. 28, 1811. 

Drawn by Rowlandson. Finely colored etching. 

Margins, quarto. 


BOXING MATCH for 200 Guineas between Dutch Sam 
and Medley, May 31, 1810. 
Drawn by Rowlandson. Finely colored etching. Mar- 
gins, quarto. 


Mr. GULLY. Full length standing. 
Painted by B. Marshall. Mezzotint by Charles Turner, 
Whitman, 241. Open letter proof, uncut margins, fine 
impression. Folio. 
VERY RARE. Companion to ‘‘John Jackson,’’ No. 323. 


RICHARD HUMPHREYS. 
Painted by John Hoppner. Mezzotint by J. Young, 
1788. Smith 39, earlier than the first described state. 
Proof with script letters. Margins, folio. 
BRILLIANT IMPRESSION AND VERY RARE IN PROOF STATE. 


PORTRAIT OF RICHARD HUMPHREYS, the ~ 
Boxer. Half length standing. | 
Painted by W. Whitby. Mezzotint by J. Young, 1788. 
Smith, 40. First state; proof before all letters. Full 
margins, brilliant impression, small folio. 
EXCEEDINGLY RARE IN THIS STATE, 


42 


323 


324 


325 


326 


327 


328 


329 


MR. JOHN JACKSON. Full length standing in street: 
dress. 
Painting by B. Marshall, in the possession of Sir Henry 
Smyth. Mezzotint by Charles Turner, 1810. Whitman, 
277. First state; open letter proof, full margins, folio. 


Exceedingly fine impression of this famous mezzotint. Rare.. 
Companion to ‘‘ Mr. Gully,’’ No. 320. 


PORTRAIT OF DAVID MENDOZA THE PUGILIST. 
(Called the Fighting-Jew. ) 
Painted by Robinson. Stipple engraving by R. Ga- 


rainer, 1789. Fine early proof with etched title, small 
margins, inlaid, oval, quarto. 


PORTRAIT OF TOM SAYRES, CHAMPION OF 
ENGLAND. 


Lithograph in colors by Currier and Ives. 1860. Fine 
impression, large margins, folio. 


PORTRAIT OF JOHN SMITH (alias Buckhorse). 
Half-length, arms in boxing attitude. 

Mezzotint, engraver not ascertained (1750-1800). 

Smith 142, earlier state than the one described; fine 

proof before all letters, small margins. 


Born in Lewkenner’s Lane, educated as a thief, ranked high 
among the boxers of his day, and rode for the Duke of Queens- 
berry when he won his wager against time. VERY RARE. 


MATCH BETWEEN SPRING AND LANGAN. Jany 
7th, 1824. For the championship of England. 

Drawn and etched by James Clements and John Pit- 

man. Aquatint by J. Gleadah, 1824. Brillant im- 


pression finely printed in colors, margins, slightly torn, 
folio. 


One of the rarest of all Sparring subjects. 


PORTRAIT OF JAMES WARD, Ex-Champion of 
England. Three-quarter length standing. 


Painted by William Daniels. Mezzotint by McInness.. 
Fine impression, large margins, folio. Rare. 


DESCRIPTION OF A BOXING MATCH, June 9, 
1812. Between Ward and Quirk for 100 guineas. 


Drawn by Rowlandson. Finely colored etching. Mar- 
gins, small folio. 


43 


330 


331 


332 


333 


334 


335 


336 


337 


RACING AND RACE HORSES. 


ALKEN COLORED PLATES. A Steeple Chase, or, 
a Cross-Country Match. A Series of six Prints, from 
the Original Drawings, by Mr. Henry Alken, beauti- 
fully colored. First Epition. Oblong folio, half red ~ 
levant morocco, with the original front wrapper bound 
in (cover repaired). 

Rare. Not in the Dulles collection. 


[BROWNE (HABLOT K).] The Derby Day. TIllus- 


trated with 8 double-page chromolithographs, each 


plate mounted on a separate hinge. Imp. 4to, half 
leather and printed boards, as issued. 
Lond.: Pub. by Mess. Fores, n. d. [1866] 


THE BET. Tom Mytton jumping five barred gate. 


Drawn by Henry Alken. Aquatint by Charles Hunt. 
Brilliant impression, printed in colors, large margins, 
folio. Searce. 


EPSOM RACES. 1819. 
Painted by Henry Alken. Aquatint by T. Sutherland 


Fine coloring, margins, oblong folio. 
VERY RARE. 


‘LIFE OF THE HIGH METTLED RACER. 


Drawn by Henry Alken. Aquatints by T. Sutherland, 
1821. Finely printed in colors, full margins, folios. 
Fine set. (6) 


PANORAMIC VIEW OF EPSOM RACE COURSE. 
The Derby (1820). 
Drawn by Henry Alken. Aquatint printed in colors 
from four plates, nicely joined. Brilliant, even im- 
pressions. Framed close to print with black and gold 
elass mat. Gold frame. Size 84x 14 inches. 
The scene represents Derby Day at this popular course. 


THE HORSE FAIR AT PARIS. 

Painted by Rosa Bonheur. Etching by Ramus. Signed 
artists’ proof on India paper, with remarque. Full 
margins, folio. 


GOHANNA, WITH Mr. THOMAS BIRD, and a VIEW 
OF GOHANNA FARM AND LODGE. ! 
Painted by J. Boultbee. Rare aquatint by Jukes and 
Sargent, 1808. Brilliant impression finely colored. 
Margin, folio. 
VERY RARE. 
44 


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AES SURE. 


Poo WAadWNN 
ONIASUNOO 


BF tceait. SE pine ees F Seg nw 4 amygeaneseg sere, erin 2 emyniigs 


Land NAL RCE ORIOL OP ORE RRR EN NRE OL 


reeetnnn tone ant tennant ne manner etcrnen mse snnbest cmeee etinnt tnfenest etree ener eat 


¢ 


: 


Darna mien eaten nannslie near ann waneannBir nt Nene nto nie LOBhAN GROEN HN NL IN ADEN RONEN es 


Eacdiacnian aeentendt 


338 


339 


340 


341 


342 


343 


344 


345 


PORTRAIT OF A HORSE, SIX YEARS OLD. 


Painted by Boultbee. Rare aquatint by F. Jukes, 
1791. Fine early impression, margins, slightly torn, 
folio. 


PORTRAIT OF ‘SOLD BILLY.’’ Famous on account 
of his very old age. Also Portrait of Mr. Harry 
Harrison of Manchester in his 76th year, who person- 
ally knew Billy for fifty-nine years. 


_ Painted by W. Bradley. Rare aquatint by Sutherland. 


Finely colored, slightly creased, margins, small folio. 
Text in lower margins gives full account if this old 
horse. 


SELIM. 


Painted by H. B. Chalon. Mezzotint by Wm. Ward, 
1809. Very brilliant impression, large margins, folio. 


Text in the lower margin which gives the pedigree and fam- 
ous performances. VERY RARE. 


A MACARONY’S MORNING RIDE IN ROTTEN 
ROW. A TAYLOR RIDING TO BRENTFORD. 
Painted by John Collett. Line-engravings by Cald-- 
well, 1772. Fine impressions, full margins, small folios. 

(2) 
FLEUR-DE-LIS. 
Painted by A. Cooper, mezzotint by Thomas Lupton, 
1828. Early proof with script title, brilliant impres- 
sion. Small margins, folio. Very rare in proof state. 


THE GAMEKEEPERS STABLE. 


Painted by A. Cooper. Engraved by F. Bromley, 1836. 
Rare open letter proof, uncut margins, folio. Brilliant. 
impression. 


MISS ELIS. Winner of the Godwood Stakes, etc., 1845.. 


Painted by A. Cooper. Aquatint by Charles Hunt. 
Brilliant impression printed in egolors, margins 
(stained), folio. 


‘““CHEVAUX DE SELLE ET D’ATTELAGE.’’ 
Painted by Dedreux. A series of finely colored litho-- 
graphs by La Salle. Large margins, folios. 1855. 


(1) BOUNTY, PHAETON HORSE. (2) ALEXAN- 
DER, PHAETON HORSE. (3) FALSTAFF, 
COUPE HORSE. (3) 


45 


346 


347 


348 


349 


350 


301 


302 


353 


‘“‘COCK ROBIN” (Cheval de Tilbury). 
Painted by De Dreux. Lithograph in colors by Lasalle 


1854. Full margins, slightly foxed. Antique oak and 
bronze frame. 


ROOKSTONE AND TRUSTY. (Cob and Bull Dog.) 
Painted and engraved by W. M. Fellows, 1825. Aqua- 
tint finely printed in colors, full margins, folio. 

Very attractive subject. Rare. 


ROSETTE. Property of Henry Pierse, Esq. Rode by 
John Shephard over Knavesmire, 1809. 

Painted by R. Frankland. Mezzotint by William 

Ward. Margins, folio. 


SUPERB IMPRESSION of an excessively rare portrait of this 
race horse. 


THE DERBY DAY. 
Painted by W. P. Frith. lLine-engraving by Aug. 
Blanchard, 1866. Proof before all letters, signed by 
both artists, full margins, large oblong folio. Mounted 
on stretcher ready for framing. 
Frith’s great masterpiece. Now very rare in proof state. 


HIGHFLYER. Property of Mr. Tattersall. 

Painted by S. Gilpin. Aquatint by F. Jukes, 1792. 
Fine impression, slightly creased, full margins, folio. 
Rare open letter proof. 


THE HUNTER. THE RACER. THE SADDLE 
HORSE. THE STALLION. 

Painted by T. Gooch. Engraved and printed in colors 

by J. Hill. New York, 1850. Full margins, brilliant 

impressions, oval folios. ‘‘The Saddle Horse’’ is a 

proof before all letters. (4) 


VERY RARE SET OF AMERICAN PLATES. 


LITTLE THOUGHT OF and Portrait of Mr. Thomas 
George of Henley, Owner. 
Drawn by W. Gwynn. Aquatint by J. H. Wright, 
1820. Superb impression in colors, full margins, folio. 
VERY RARE. At Ludlow Race Course Nov., 1820, this horse 


ran 19 miles in 58 minutes, ridden by Mr. George, 70 years old, 
weighing 10 stone. 


BLUE BONNET. Winner of the St. Leger Stake. 1842. 


Painted by H. Hall. Aquatint by Charles Hunt, 1843. 
Brilliant impression in colors, full margins, folio. Text 
with pedigree, etc., in lower margin. 


46 


304 


395 


356 


397 


358 


360 


361 


PORTRAIT OF RICHARD TATTERSALL, ESQ., of 
Hyde Park Corner. Oct. 4th, 1841. Half length 
seated at table. 

Painted by C. Hancock, engraved by W. Giller. Full 
margins, small folio. 


MY HORSE. 
Painted by Guy Head. Mezzotint by C. Turner, 1804. 
Finely colored, margins, large folio. Fine effective 
subject for framing. 


ANTONIO. | 
Painted by Herring. Aquatint by T. Sutherland, 1820. 
Fine early impression without color. Small margins, 
mounted on cardboard, folio. 

Winner of the Great St. Leger Stakes at Doncaster, 1819. 


BRUNETTE. Property of Lord Henniker. 

Painted by Sir Edwin Landseer. Lithograph in tint 
by Dickinson, 1843. Brilliant impression, large mar- 
gins, folio. 


LE HARAS. (Mare and foal.) 

Painted by Lecomte. Mezzotint by Jazet. Fine im- 
pression, small margins, folio. French text in lower 
margin describing the scene. (First Age of the Horse.) 


HAP-HAZARD. MULY MOLOCH. Property of the 
Earl of Darlington. 
Painted by B. Marshall. Line-engravings by W. & G. 
Cooke, 1805. Superb open letter proofs, small margins, 
large folios. Full pedigrees, and record of famous 
performances in text on lower margin. (2) 
EXCESSIVELY RARE IN SUCH PERFECT CONDITION. 


MATCH FOR ONE THOUSAND GUINEAS. Between 
Sir Joshua and Filho-da-Puta at Newmarket, April 
15th, 1816. 

Painted by B. Marshall. Rare mezzotint by Wm. 
Ward, 1818. Very fine impression, large margins, folio. 
EXCEEDINGLY RARE IN SUCH FINE CONDITION. 


THE CARRIERS STABLE. 
After George Morland. Etching by C. HE. Wilson. 
Proof on India paper. Full margins, folio. 


47 


362 


363 


364 


365 


366 


367 


368 


SHARPER. 


Painted by G. B. Newmarch. Aquatint by H. Pyall, 
1828. Brilliant impression printed in colors, uncut: 
margins, folio. Text in lower margin giving pedigree: 
and performances. 


ASCOT HEATH RACES. 


Drawn and engraved by James Pollard, 1818. Aqua- 
tint printed in colors, margins, folio. Brilliant impres-- 
sion. 

VERY RARE. 


EPSOM RACES. 


Drawn and engraved by James Pollard, 1818. Aqua- 
tint printed in colors, brilliant impression, large mar- 
gin, folio. 

EXCEEDINGLY RARE. 


JOHN GILPINS FAMOUS RIDE. 


Painted and engraved by James Pollard, 1820. Aqua- 
tints printed in colors; very rare proofs before letter,. 
full margins, folios. (38) 
Three very picturesque representations of this celebrated 
episode. 


MATCH FOR 1000 GUINEAS BETWEEN Sir Joshua. 
and Filho-Da-Puta, at Newmarket, April 15th, 1816. 
Painted by James Pollard, aquatint by Robert Havell.. 
Brilliant impression printed in colors. Large margin, 
folio. Folded through centre. Rare proof before 
letters; the title, etc., are written in. 


G. OSBALDESTON’S MATCH OF 200 MILES: 
AGAINST TIME. 


Painted by James Pollard. Aquatint. Fine coloring, 
margins, folio. Very rare. 


RACE FOR THE GOLD CUP AT ASCOT 1829. 


Painted by James Pollard. Aquatint by J. Edge, 1829. 
Brilliant impression printed in colors. Small margins, 
folio. Folded through centre. Rare proof before 
letters; the title is written in, ‘‘Lord Chesterfield’s 
Zinganee beating Mameluke, the Colonel and others.’” 
Sold in 1829 to George IV. 


48 


369 


370 


371 


312 


373 


374. 


375 


376 


377 


RACE FOR THE ST. LEGER STAKES 1812 AT 
DONCASTER. 

Panoramic View. Painted by Clifton Thomson, aqua- 

tint by Pollard and Duborg, 1816. Fine coloring, 

margins, oblong folio. Key in the lower margin to 

the various Horses and Jockeys. Rare. 


DOCTOR SYNTAX. 
Aquatint by James Pollard, 1822. Superb impression 
printed in colors, margins, folio. Text with pedigree 
and record of performances in lower margin. 

AN EXCEEDINGLY SCARCE POLLARD. 


(See Illustration.) 


WINNER OF THE DERBY 1836 (Bay Middleton) 
AND VIEW OF EPSOM GRAND STAND. 
Painted by James Pollard. Aquatint by R. G. Reeve, 


finely printed in colors. Large margins, matted, folio. 
Rare. 


THE HORSES OF ACHILUES. 


After the famous painting by Henri Regnault. Etch- 
ing by G. Mercier. Signed remarque proof on Japan 
paper. Antique oak frame and panel mat. Rare. 


YOUNG PERUVIAN. 


Lithograph in colors by I. Rogers, 1825. Brilliant 
impression, full margins, folio. Rare. Text in lower 
margin giving pedigree. 


COLLEGE JOCKEYS OR THE LANDLORD 
SWEATING FOR HIS CATTLE. 


From a drawing by Rowlandson, aquatint printed in 
colors, London, 1786. Margins, folio. 


PREPARING TO START. 


Drawn by Rowlandson, 1811. Etching finely colored, 
uncut margins, small folio. 


THE PURSUIT OF THE HIGHWAYMAN. 
Drawn and etched by Rowlandson, 1791. Fine color- 
ing, large margins, folio. 


THE TRAINING SCHOOL. 


Mezzotint by Rugendas, from his own drawing, 1760. 
Margins trimmed, folio. 


49 


378 


379 


380 


381 


382 


383 


384 


385 


386 


ESCAPE. Property of the Prince of Wales. 

Painted by I. N. Sartorius. Aquatint by R. Dodd, 
1792. Rare proof state, with open letters; margins, 
folio. Slghtly creased. Text in lower margin with 
pedigree. 


ESCAPE. 
Painted by I. N. Sartorius. Aquatint by R. Dodd, 
1792. Fine coloring, uncut margins, large folio. 
EXCEEDINGLY RARE, ON WHATMAN PAPER WITH WATER MARK 
1794, 
Companion to ‘‘Grey Diomed,’’ No. 381. 
GREY DIOMED. Property of the Duke of Bedford. 


Painted by I. N. Sartorius. Aquatint by R. Dodd, 
1792. Fine impression, margins, folio, slightly creased. 
Text below giving pedigree. 

Companion to ‘‘Escape,’’ No. 378. 


GREY DIOMED. Owned by George Prince of Wales. 


Painted by I. N. Sartorius. Aquatint by R. Dodd, 
1792. Fine coloring, uncut margins, large folio. 
Companion to ‘‘Escape,’’ No. 379. 


ANOTHER IMPRESSION. 
Margins trimmed close. 


HAMBLETONIAN. 

Painted by I. N. Sartorius. Stipple engraving by J. 
Whessel, 1790. Very fine impression, small margins, 
mounted on cardboard, folio. Rare. 

WARTER. 

Painted by I. N. Sartorius. Mezzotint published by 
Laurie, 1809. Fine impression, large margins, small 
folio. Got by King Fergus. Dam by Highflyer. 
COPENHAGEN. Celebrated Charger of the Duke of 


Wellington at the Battle of Waterloo, Vittoria, ete. 


Painted by T. Smyth. Mezzotint by Wm. Say, 1819. 
Superb impression, margins, folio. Rare. 


ANVIL. 


Painted by George Stubbs. Stipple by Geo. T. Stubbs, 
1794. Fine impression, open letter proof, slightly 
creased, margins, folio. Rare. 


50 


387 


388 


389 


390 


391 


392 


393 


394 


BROWN HORSE ‘‘MASK.”’’ 


Painted by George Stubbs. Engraved by G. Stubbs, Jr., 
1773. Finely colored. Small margins, folio. Text in 
lower margin with pedigree, ete. 


HORSES FIGHTING. 


Painted by George Stubbs. Mezzotint by G. T. Stubbs, 
1788. Brilliant open letter proof, margins, folio. Very 
scarce in proof state. 


MAMBRINO. 


Painted by George Stubbs. Stipple engraving by G. T. 
Stubbs, 1817. Beautiful impression in colors, uncut 
margins, folio. Unusually fine state. 


PROTECTOR. 


Painted by George Stubbs. Stipple engraving by G. T. 
Stubbs, 1794. Brilliant impression open letter proof, 
uncut margins, folio. Rare. 


SHARKE. 


Painted by George Stubbs. Stipple engraving by Geo. 
T. Stubbs, 1794. Finely printed in colors, small mar- 
gins, folio. Oak frame with bronze ornaments and 
movable back. 

VERY RARE. 


SWEETBRYER. 


Painted by George Stubbs. Stipple by George T. 
Stubbs, 1794. Rare open letter proof, fine impression, 
large margins, folio. 


TWO HACKS. TWO HUNTERS. 


Painted by George Stubbs. Stipple engravings by 
George T. Stubbs, 1792. Brilliant colors, full margins, 
folio. (2) 


RARE IN SUCH FINE CONDITION. 


VOLUNTEER. 


Painted by George Stubbs. Stipple engraving by G. T. 
Stubbs, 1794. Fine impression, small margins, quarto. 


WARWICK, A HACKNEY. 


Painted by A. Cooper. Engraved by J. Scott, 1816. 
Fine impression, margins, quarto. (2) 


51 


395 


396 


397 


398 


399 


400 


401 


402 


ORVILLE. Property of the Prince of Wales. 
Painted by C. Tomson. Line-engraving by J. Scott, 
1812. Exceedingly fine early impression, uncut mar- 
gins, folio. Full pedigree and record of famous per- 
formances in text on lower margin. 

SUPERB COPY OF A VERY RARE PRINT. 


START FOR THE DERBY, and COMING IN FOR 
THE DERBY. 

Painted by F. C. Turner. Aquatints, etched and en- 

graved by Charles Hunt, 1838. Very brilliant impres- 

sions, printed in colors, margins, large folios. (2) 


Two OF THE FINEST RACING SUBJECTS EVER EXECUTED. VERY 
SCARCE. 


CHEVAL ALLANT AU MANEGE. CHEVAL 
ECHAPPE. 
Painted by Charles Vernet. Aquatints by Jazet. Early 
impressions without colors, large margins, folios. ays) 
INTERIOR OF A STABLE. THE HORSE DEALER. 
Painted by Charles Vernet. Aquatints by Coqueret. 


Brilliant impressions, fine coloring, large margins, 
folios. Very rare. (2) | 


RACE BETWEEN ROMAN CARS. 


Painted by Charles Vernet, engraved by Gros. Finely 
colored, margins, folio. 


ROMAN HORSE, READY FOR THE RACE. 
Painted by Charles Vernet, engraved by Jazet. Finely 
colored, margins. 

PIRATE AND OUTLAW. Draft Horses. 


Painted by Leitter, mezzotint by Egan. Fine impres- 
sions. (2) 


EAGLE. Brother to Spread Eagle. : 
Painted and engraved by J. Whessel, 1805. Stipple, 
superb impression in colors, margins, folio. Text with 
pedigree and record of performances in lower margin. 
Very rare. 


FAMOUS MATCH BETWEEN HAMBLETONIAN 
AND DIAMOND. For three thousand guineas at 
Newmarket, March 25th, 1799. 

Painted by I. N. Sartorius. Stipple by J. Whessel, 
1800. Brilliant impression, full margins, folio. Text 
in lower margin giving full details of the event. 


52 


Loft WwaaWaN 


XVLNAS WOLOOG 


spent ON 


i 
H 


Pare, Wes Oe 5a - 


403 


404: 


405 


406 


407 


408 


409 


410 


411 


HAMBLETONIAN preparing to start against Diamond 
at Newmarket for a match of $15,000. Mch. 25, 1799. 
Painted by I. N. Sartorius. Stipple engraving by J. 
Whessel, 1800. Very brilliant impression, large mar- 
eins, folio. 


ANOTHER IMPRESSION. 
Printed in colors, small margins. Very rare. 


PARASOL. Property of the Duke of Grafton. 
Painted and engraved in stipple by J. Whessel, 1809. 
Superb impression in colors, large margins, folio. 


Plate 4 of a fine series of ‘‘ Portraits of Celebrated Running 
Horses.’’? VERY RARE. 


BREWERY YARD WITH DRAFT HORSES. 


Painted by Wolstenholme. Stipple engraving, finely 
colored, margins, large folio. (Creased through middle.) 


THE FATHER OF THE TURF. PORTRAIT OF 
TREGONWELL FRAMPTON (1641-1727). Three- 
quarter length seated. Framed portrait of his cele- 
brated horse ‘‘Dragon’’ in background. 
Painted by John Wooton. Mezzotint by John Jones, 
1791. Smith, 30. Fine impression slightly rubbed, 
mounted on cardboard. Folio. Full account of the 
eareer of this celebrated sportsman in text on lower 
margin. 

EXCESSIVELY RARE. 


COACH HORSES. CHAISE HORSKS. 


Rare mezzotints by J. Young, 1798. Fine impressions, 
margins. Mounted and matted, folios. (2) 


THE CAMBRIDGE JOCKEY and THE LONDON 
JOCKEYS GOING TO NEWMARKET. 

Line engravings published by M. Danly, London, 1771. 

Margins, small folios. (2) 


A DEEP ONE AND A KNOWING ONE. (A Book 
Maker.) 

Mezzotint published by Carrington Bowles, 1791. Fine 

impression, margins, small folio. Rare. 


ECLIPSE. 
Line-engraving. Fine early impression before the 
names of the engravers, ete. Large margins, folio. 


53 


412, 


413 


414. 


415 


416 


417 


FIRETAIL. 


Mezzotint by William Ward, 1790. Superb proof be- 
fore all letters. Margins, folio. 
VERY RARE. 


LURCHER (By Dungannon). 


Mezzotint published by Sayer, 1794. Brilliant proof 
before all letters, uncut margins, small folio. See back 
of print for account of performances (pencilled in). 
Very rare state of this plate. 


A VIEW OF EPSOM COURSE 1820. A Start for the 
Derby, or the Effects of a Windy Day. 
Rare aquatint, brilliant impression, aa in colors. 
Small margins, oblong folio. 
VERY SCARCE. 


STUBBS (GEORGE). The Anatomy of the Horse, 
including a Description of the Bones, Cartilages, 
Muscles, Facsias, Ligaments, Nerves, Arteries, Veins, 
and Glands. Wirth 24 engraved plates after drawing 
from nature. Oblong folio, half morocco and boards 
(title, one leaf, and margin of one plate torn). 

First Epirion. Very scarce. Lond. 1766 


SHOOTING AND HUNTING. 


ALKEN COLORED PLATES. <A Cockney’s Shooting 
Season in Suffolk. By Henry Alken. Containing the 
Adventures that Actually Occurred to a Young Cit 
on a Visit to His Friends in that Country. 6 finely 
colored humorous plates, by Henry Alken. First Ept- 
TION. Folio, original brown paper printed wrappers 
(neatly rebacked and strengthened). 

‘Lond.: Thomas McLean, 1822 


Fine copy of this very scarce Alken item, in the original 
covers. The prints are all large and clear impressions, colored 
in the artist’s best style. They are as follows, viz.: ‘*‘ What 
makes the stupid dog stand so?’’; ‘‘Mark that thing there, 
with the long Bill’’; ‘‘He flies off his charger’’; A signal 
of distress’’; ‘‘I’ve hit one of them, by George’’; and ‘‘I’Il 
never touch a gun more.’’ In portfolio covered in crimson 
watered silk. 


BRITISH FIELD SPORTS. 1 SHootErRs Goring OUT 
IN THE Mornine. 2 Horse Racine, 3 and 4 Fox 
Huntine, 5 and 6 Stag Huntine, 7 and 8 HARE 
HuntTinG, 10 Woopcock SHOOTING, 11 and 12 PHEAS- 
ANT SHOOTING, 13 and 14 PARTRIDGE SHOOTING, 15 
GROUSE SHOOTING, 16 SNIPE SHOOTING. 17 RABBIT 


54 


418 


419 


420 


421 


422 


423 


424 


425 


SHooTING, 18 Duck SHooTING, 19 Hare SHOOTING, 

20 Fox HuntING. 
Superb set of aquatints finely printed in colors from 
original designs by S. Howitt, published by Edward 
Orme, London, 1807. With ornamental title page and 
also page of list of plates. Mostly full uncut margins. 
With the original covers of five sets, folio. Exceedingly 
Scarce in such uniformly fine and perfect condition. 
(No 9 is lacking.) (26) 


BITTERN SHOOTING, OWLING, COURSING, PAR- 
TRIDGE and GROUSE SHOOTING. 

By Henry Alken. Engraved by Clark, 1820. Beauti- 

fully printed in colors. Margins, small folios. (5) 


THE FRYING-PAN! and STINT SHOOTING. 
By Alken. Aquatints printed in colors, quarto. (2) 


THE GAMEKEEPER. 


Painted by Henry Alken. Aquatint printed in colors 
by G. Hunt, 1829. Quarto. 


GROUSE and PARTRIDGE SHOOTING. 


Painted by Henry Alken. Fine aquatints by J. Suther- 
land, 1817. Printed in colors. Small folios. (2) 


PHEASANT SHOOTING. THE BROOK. GROUSE- 
SHOOTING. THE MOOR. WILD DUCK SHOOT- 
ING. THE WATER. PARTRIDGE SHOOTING. 
THE FIELD. 

Drawn and engraved by Henry Alken. Finely colored 
proofs before letters, large margins. Rare. Folios. (4) 


PHEASANT SHOOTING. PARTRIDGE SHOOTING. 
WOODCOCK SHOOTING. FOX HUNTING, Full 
ery. FOX HUNTING, the Death. COURSING. 

Set of six lithographs in color from drawings by 
Samuel Alken, margins cut close, small folio. Very 
rare. (6) 


SNIPE SHOOTING. SPEARING THE OTTER. 
PHEASANT SHOOTING. SETTERS AND 
POINTERS. HAWKING. 

By Henry Alken. Aquatints by I. Clark, 1820. Printed 

in colors. Small folios. (6) 


WOODCOCK SHOOTING. THE REPAST. PHEAS- 
ANT SHOOTING. THE RETURN. 
Aquatints by Reeve after Henry Alken. Finely printed 
in colors. Full margins. Fine set. Folio. (4) 
35) 


426 


427 


428 


429 


430 


431 


432 


433 


434 


LADIES SHOOTING PONEY. 


Painted by John Collet. Rare mezzotint, full margin, 
Published by Carrington Bowles. Small folio. 


THE PROVERBS REVERSED, OR A BIRD IN 
THE BUSH WORTH TWO IN THE HAND. 
Painted by John Collet. Mezzotint published by Car- 
rington Bowles. Torn and mended, margins, small 
folio. Oak frame and mat. With engraving of 
HUNTER AND HIS Does. 8vo. Oak frame. (2) 


GROUSE, August. PARTRIDGE, September. PHEAS- 
ANT, October. SNIPE, November. WOODCOCK, 
December. WATER FOWL, January. 


Aquatints by R. G. Reeve after R. B. Davis. Beauti- 
fully colored. Published by McLean, 1836. Uncut 
margins, folio. Fine set. (6) 


COCKNEY SPORTSMEN. 


Very amusing set of caricatures drawn and etched by 
Gilray, 1800. Printed in colors, full margins, small 
folios. (4) 


RANTON ABBEY. The Shooting Party. 


Mezzotint engraved by W. H. Simmons after Francis 
Grant. Fine impression. Large folio. Slight tear in 
the margin. 


FORESTER IN SEARCH OF GAME. 
Mezzotint by H. Beckwith after Hancock, 1837. 


THE SHOOTERS COMPANION. 
Mezzotint by Giller after Cooper, 1829. Small folios. 
: (2) 
PARTRIDGE SHOOTING, NEAR WINDSOR. 
Aquatint by Robert Havell. Beautifully printed in 
colors. Margins trimmed at top and sides. Small folio. 


PORTRAIT OF Mr. NATHANIEL OLDHAM. Full 
length in hunting costume, holding fowling-piece in 
left hand, ete., in landscape. 

Painted by J. Highmore. Mezzotint by J. Faber. 
Smith, 261. Second state. Fine impression, small 
margins. 


DUCK SHOOTING. 


Original water-color drawing by Samuel Howitt. Size 
4x6 inches. Mounted with colored border. 


56 


435 


436 


437 


438 


439 


440 


441 


A42 


443 


PHEASANT SHOOTING. 


Aquatint after Howitt, printed in colors. Published 
by Laurie, London. Small oblong folio. 


WOODCOCK, GROUSE, PHEASANT SHOOTING, 
LOOKING FOR A HARE, COURSING. 
Aquatints in color by S. Howitt, 1803. Printed in 
colors, full margins. Small folios. (5) 
A RARE SET. 


PHEASANT and WOODCOCK SHOOTING. 


Aquatints finely printed in colors by R. G. Reeve, 1805, 
after Howitt. Proofs before letters. Large margins, 
extremely scarce in this state. Folio. (2) 


DUCK SHOOTING. 


Fine stipple by R. Dodd after I. Ibbetson, 1800. 
Margin trimmed. Small folio. 


PHEASANT SHOOTING. 


Engraved by R. Dodd, 1790, after I. Ibbetson. Finely 
eolored. Full margin, small folio. This is a later state 
of No. 488 with the date 1800 and address of Colnaghi. 


PHEASANT SHOOTING, PARTRIDGE SHOOTING. 


Stipples engraved by R. Dodd, 1790, after I. Ibbetson. 
Early proofs with open letters. Margin of the latter 
cut above the title. Small folios. (2) 

RARE. 


FIRST OF SEPTEMBER, MORNING and EVENING. 
Aquatints printed in colors, engraved by H. Pyall from 
drawings by D. Jones, London, 1831. Full margins. 
Small oblong folio. (2) 


THE FIRST OF SEPTEMBER. 


Mezzotint by 8S. W. Reynolds, after George Morland. 
Finely colored, margin cut at sides and top. Small 
folio. 


PARTRIDGE SHOOTING. 


Stipple by C. Catton after George Morland, 1800. 
Beautifully printed in colors. Margins, matted and 
mounted. Small folio. Rare. 


57 


445 


446 


447 


448 


449 


450 


451 


452 


PHEASANT, SNIPE, PARTRIDGE and DUCK 
SHOOTING. 
Painted by George Morland and etched by Rowlandson, 
1789. Printed in colors, with margins. Folios. (4) 
A VERY RARE AND INTERESTING SET OF MORLANDS. 


PARTRIDGE SHOOTING. PHEASANT SHOOT- 
ING. GROUSE SHOOTING. PACKING UP. 
SNIPE SHOOTING. WILD DUCK SHOOTING. 

Drawn and engraved by Pollard, 1822. Exquisitely 
printed in colors. Small oblong folios. (6) 
SUCH A UNIFORMLY FINE SET IS SELDOM FOUND. 


THE SAME. 
Plate 1 black, plates 2 and 3 colored. Good margins. 
SNIPE. PARTRIDGE. GROUSE. PHEASANT 


SHOOTING. 


Aquatints drawn and engraved by Pollard. Uniform 
early first states, before all lettering, large margins, 
slight tear in one mended, small folios. (4) 

A VERY RARE SET. 


WOODCOCK, PHEASANT, GROUSE and DUCK 
SHOOTING. 


Very rare aquatints finely printed in colors by R. Pol- 
lard, 1812. Mounted on cardboards, small folio. (4) 


FINE BRILLIANT SET. 


WOODCOCK, PHEASANT, GROUSE and PAR- 
TRIDGE SHOOTING SCENES. 


Aquatints in colors by James Pollard, 1830. Full mar- 
gins. Very attractive set. Folio. (4) 


FOWLING. 


Mezzotint printed in colors, engraved by W. W. Barney 
after Reinagle (Collection of Lord Middleton). Small 
margins. Folio. Rare. 


MOOR SHOOTING and RED GROUSE. 


A pair of very scarce aquatints printed in colors, en- 
graved by Lewis and Maile after Reinagle. London, 
1815. Full margins. Very rare. Folio. (2) 


PARTRIDGES and BROOD OF YOUNG. 


Fine aquatint in colors by C. Lewis after Reinagle. 
London, 1815. Folio. Very rare. 


58 


453 


454 


455 


~ 456 


457 


458 


459 


460 


461 


THE GAMEKEEPER. 


Painted by George Stubbs 1836. Fine mezzotint, rare 
proof before letters on India paper. Folio. 


GAMEKEEPERS. THE LABOURERS. 


Painted by George Stubbs. Mezzotints by Henry Birch. 
Fine proofs before letters, oblong folio. (2) 


Exceedingly rare in such fine condition. 


SHOOTING. A rare set of four shooting scenes. 
Line-engravings by William Woollett, 1769, after 
George Stubbs. Large margins, unusually fine impres- 
sions of these scarce plates. Folio. (4) 


WILD DUCK SHOOTING. GROUSE SHOOTING. 
Aquatints by T. Sutherland, 1820. Brilliantly printed 
in colors, margins trimmed at top and sides, oblong 
folios. Torn and mended, folded through centre. 
Very rare set. Antique oak frames with gold orna- 
ments, panel mats. (2) 


THE FIRST OF SEPTEMBER. 
Set of three aquatints by Reeve, after Wolstenholme. 
London, 1811. Printed in color. Plate 1 perfect, 2 


and 3 slightly mended, margins cut at top and sides. 
Small folio. Rare lot. (3) 


GOING OUT. GAME FOUND. GAME BROUGHT 
IN AND RELOADING. REFRESHING. 
Set of four finely colored aquatints by J. Sutherland 


after Wolstenholme. Full margins, small folio. Rare 
set. (4) 


GOING OUT. GAME FOUND. DOGS BRINGING 
IN THE GAME. REFRESHING. 


After Wolstenholme, engraved by J. Sutherland. Late 
impressions. (4) 


PARTRIDGE SHOOTING. 


Painted and engraved by D. Wolstenholme. Rare 
stipple printed in colors. Folio. (Slightly mended.) 


(See Illustration.) 


SHOOTING SCENES. VERSES 1], 2, and 4. 


Rare aquatints, drawn and engraved by Dean Wolsten- 
holme. Ackerman, London, 1819. Finely printed in 
colors, quarto. (8) 


59 


462 


463 


464 


465 


466 


467 


WOODCOCK and GROUSE SHOOTING. 


Aquatints printed in colors by R. G. Reeve after Dean 
Wolstenholme. Fine pair. One other. Folio. (3) 


VERY RARE. 


PORTRAIT OF JEFFREY. Earth stopper to the 
Berkely Hunt. 


Mezzotint by Giller. 


DOUBLE X. 
Mezzotint by Henry Dawe 1825. Quarto. (2) 


PHEASANT and GROUSE. 


Set of four finely colored engravings. Published by 
John Kendrick, London. Oblong quarto. Mounted to- 
gether. Rare. (4) © 


FIRST OF SEPTEMBER, GOING OUT, ete. 
Set of six humorous subjects; finely colored. 


CARICATURE OF FRENCHMEN SHOOTING, © 
HUNTING CALENDAR, ete. (12) : 


GAMES AND SPORTS IN GENERAL 
Including some Books on the “English Fancy.” 


ALKEN COLORED PLATES. Symptoms of Being 
Amused. 42 colored plates, including the pictorial 
title by Henry Alken. Oblong folio, original half red 
roan and boards, with leather label on the side. 
Lond. 1822 

The rare First EDITION, with the original binding in a re- 
markable state of preservation. In addition to the sporting 
scenes, a number of plates illustrate occurences in every-day 
life, ete. Although marked ‘‘ Vol. 1’’ on title, there never was 
another volume completed. A second volume was started and 
about a dozen plates made, but these are almost unknown. 


ALKEN COLORED PLATES. Sporting Scrap Book. 
50 full-page plates, all colored, containing hundreds of 
figures of horses, birds, dogs, huntsmen, G&c., designed 
and engraved by Henry Alken. Oblong 4to, full 
brown morocco, gilt lettered, gilt edges (3 margins 
slightly torn into, in no ease affecting the plate). 

[Lond.:] Thomas McLean, 1824 


First EDITION. VERY SCARCE IN THIS OBLONG QUARTO SIZE, 
WITH THE FULL FIFTY PLATES. Most copies sold within the 
past 15 years have had only 48 or 49 plates. Contains views of 
dog-fights, coursing, fishing, boating, with many animal and 
bird studies, game, etc. 


60 


[OOF uaaWan | 


ONILOOHS FOCIVLYVd 


“ 


468 ALKEN COLORED PLATES. Illustrations to Popular 
Songs. By Henry Alken. 43 full-page plates, all in 
colors, designed and engraved by Alken. Oblong 4to, 
original boards and straight-grain red morocco, gilt. 
edges. Lond.: Thomas McLean, 1825 

All the 43 plates bear the original date, 1822. They contain 
a large number of amusing views, figures and situations, sport- 


ing, amorous, drinking, poaching, dancing, hunting, &¢. Goop 
COPY. SCARCE. 


469 CRUIKSHANK ILLUSTRATIONS. Scraps and 
Sketches. By George Cruikshank. To be Continued 
Occasionally. Both the plain and colored plates, 
making 48 in all. 4 parts in one vol. oblong folio, full 
red straight-grain morocco, gilt, gilt top, uncut, the 
original printed wrappers bound in by Zaehnsdorf. 

Lond. 1828-29-31-32: 

First EpiItion. A unique copy, having both issues of the 
plates, plain and colored. The title-page of part four bears 
the AUTOGRAPH PRESENTATION INSCRIPTION OF CRUIKSHANK TO: 
H. J. GREEN. The wrappers of the first three parts are the 


original gray shade of the plain copies and the wrapper of the 
fourth part the pink shade of the colored copies. 


470 EGERTON (D. T.). Fashionable Bores, or Coolers in 
High Life. By Peter Quiz. Title and twelve colored 
plates, designed and etched by D. T. Egerton. First 
Epition. Oblong folio, half cloth and'morocco, original 
front wrapper (repaired) bound in. 

Lond.: Thos. McLean, 1824. 


Rare. Not in the Dulles collection. 


471 [EGERTON (M.).] Airy Nothings; or, Scraps and 

Naughts, and Odd-cum-Shorts; in a Circumbendibus, 

Hop, Step, and Jump, by Olio Rigmaroll. Drawn and 

Written by M. EH. Esq. Engraved by Geo. Hunt. 

First Epition. 4to, boards, uNcuT, with the original 
paper label, extra buckram covers. , 

Lond.: Published by Pyall and Hunt, 1825. 


THE EXTREMELY RARE First EDITION, with the earliest state 
of the 23 fine colored plates engraved by George Hunt, which 
are excellent specimens of the color printing of the period. 
Aside from the sporting interest and humorous character it is. 
interesting in showing a view of one of the earliest steam- 
boats on the Scottish lakes, ‘‘A Trip up Loch Lomond.’’ In 
the Dulles collection a copy of this work appeared with ‘‘Sec-- 
ond Edition’’ on title, published by M’Lean, 1825, and de- 
scribed as probably the only edition. 


472 ARCHERY. PLATE 2. 


Mezzotint published by Sayer, London, 1792. Bril- 
liant impression, margins, folio. Very attractive sub-. 
ject. 


61 


473 


474. 


475 


476 


477 


478 


479 


480 


BACKGAMMON PLAYERS. — 
Rare old line engraving by Van de Velde. Fine im- 
pression, margins cut at top and sides, quarto. 


BALLOONING. 

Lunaradi’s Grand Air Balloon. Etching published by 
Fores, London, 1784. With descriptive text of con- 
struction and performances. Very early representa- 
tion of a balloon. 


BALLOONING. 
A representation of Mr. Lunardi’s Balloon ,as ex- 
hibited in the Pantheon, 1784. Aquatint by F. Jukes, 
mezzotinted by V. Green after F. G. Byron. Very fine 
impression with the inscription. Small margin trimmed 
to the engraved border. 


BALLOONING. 

Lunardi, Mrs. Sage and Biffin in a Balloon. Stipple 
engraving by Bartolozzi after J. F. Rigaud. (A. W. 
Tuer No. 1114.) Impression with the inscription and 
margin trimmed to the engraved surface. 


BALLOONING. 
Vincent Lunardi, Esq., his Dog and his Cat. Stipple 


engraving by Bartolozzi. London, Publ’d Nov. Ist, 


1784, by Edw. Hodges. No. 92 Cornhill. (A. W. Tuer 
No. 1840.) Fine impression with the inscription, 
printed in colors, with large margin showing the plate- 
mark. 


BALLOONING. 
Famous Ballooning at the Tuilleries, Dec. 1783. Colored 
engraving, quarto. Description, etc., on lower margin. 
Very rare. ‘‘La Daguerrotopamanie.’’ Lithograph, 
1840. (2) 


GOLF. 

Portrait of Henry Callender. Full length standing, 
holding a golf club in right hand; landscape in back- 
eround. Painted by L. F. Abbott. Mezzotint by 
William Ward. Smith 20, earlier than the described 
first state. Proof before all letters. Very brilliant 
impression with large margins, in perfect condition. 
Folio. 


EXCESSIVELY RARE PROOF. 
SKATING. 
Attitude is everything. Making the most of a friend. 
Humorous Skating scenes. Finely colored etchings, 


margins folio. (2) 
62 


481 RACKETS. 


Fleet Prison London. Drawn by Rowlandson. Aqua- 
tint by Stadler, 1808. Finely printed in colors, mar- 
gins, small folio. 


482 SHUTTLE COCK. 
Portrait of Zerah Colburn, famous mathematical 
wonder 8 years of age. Drawn by T. Hull. Aquatint 
by Henry Meyer, 1813. Folio. 

483 TENNIS. 


Portrait of Monsieur Masson the Tennis Player. Full 
length standing, holding a racquet in his hand. Painted 
by H. Mortimer. Rare mezzotint by Brookshaw, 1769. 
Smith 18. Very brilliant impression, small margins. 
Folio. 


VERY SCARCE PORTRAIT. 


ACROBATICS, WALKING, AND 
TRANSPORTATION. 
484 ACROBATS. 


Acrobatic Performance in Venice 1775. Line-engraving 
by Brustolon after Canaletti. Margins, folio. 


485 ACROBATS. 


Grand Acrobatic and Gymnastic Performance in 
Venice. 1775. Rare old line-engraving. Torn and 
mended, large margins, folio. Very rare. 


486 ACROBATS. 
Acrobatic Feat at Venice 1775. The Pyramid. Two 
etchings, quarto. (2) 

487 PEDESTRIANISM. 


William Howitt (Better known as Jackson the Ameri- 
can Deer). Painted and engraved by W. Bromley. 
Rare mezzotint, fine impression, margins, folio. 


488 PEDESTRIANISM. | 
George Wilson Aged 50, the Pedestrian, on his famous 


walk of 50 miles a day for 20 consecutive days. Sept. 
1815. Etched by C. Williams. Quarto. Two plates. (2) 


489 PEDESTRIANISM. 
Johnny Day, the Pedestrian Wonder and Champion of 
the World. Lithograph in colors, London 1866. Folio. 
Text in lower margin giving record of his perform- 
ances. 


' 


63 


490 


491 


492 


493 


494. 


495 


496 


TRANSPORTATION. 


The Progress of Steam. Modern Prophecy, or Novelty 
of the Year 1829. Drawn by Henry Alken. Aquatint 
finely colored, small margins, quarto. Very interesting 
and humorous subjects in the early days of the Steam 
Engine. (2) 


TRANSPORTATION. 


The Thames Tunnel. Aquatint by J. Harris, 1835. 
From a drawing by T. T. Bury. Brilliant impression 
printed in colors. Uncut margins, folio. Text in lower 
margin, giving dimensions, etc. 


TRAVELLING. 


The Railway Station. Painted by W. P. Frith. Line- 
engraving by Francis Holl, 1866. Proof before all let- 
ters, signed by both artists. Full margins, large oblong 
folio. Mounted on stretcher ready for framing. 


TRANSPORTATION. 


The ‘‘Enterprise’’ Steam Omnibus. London and Pad- 
dington. Rare aquatint by Charles Hunt, 1833, from a 
drawing by Summers. Brilliant impression printed in 
colors, full margins, folio. Commenced running April 
22, 1833. Unusually fine copy of this rare print. 


TRANSPORTATION. 


The New Steam Carriage. Prototype of the Automo- 
bile of to-day. Aquatint by Pyall, 1820. Printed in 
colors, large margins, folio. A full description of this 
invention in lower margin. Fine original impression. 
Very rare. 


TRANSPORTATION. 


Pedestrian Hobby Horse, or Perambulator. Aquatint 
printed in colors. London, 1819. Full margins, quarto. 
With original text describing the machine, issued by the 
maker, Mr. Johnston. Price £8 to £10. each. Rare. 


TRANSPORTATION. 
Railway Conveyances from Liverpool to Manchester. 
Four views on two sheets. Aquatints printed in colors. 
London, 1834. Margins, oblong folio. Rare early im- 
pressions of these interesting plates. 


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MADISON AVENUE AT FORTIETH STREET 
NEW YORK 


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EXTRACT FROM THE WILL OF EDMOND DE GONCOURT 


- [TRANSLATED] 


- 


@_ My wish is that my Drawings, my Prints, my 


Curiosities, my Books—in a word these things of — 
art which have been the joy of my life—shall not _ 


be consigned to the cold tomb of a museum, and sub- 
jected to the stupid glance of the careless passer-by; 


but I require that they shall all be dispersed under 
the hammer of the Auctioneer, so that the pleasure — 
which the acquiring of each one of them has given 

me shall be given again, in each case, to some inheri- Ae 


tor of my own tastes. 


gv 


SALE OF THE ROBERT HOE LIBRARY = 


Part’) L.)Avpril 2.4-May 5, 191I $997,366.00 “gs 
Part II. January 8-19, 1912 ‘471,619.25 
Part Ill. April 15-16, 1912 200,150.50 
Part IV. November 11-22, 1912 262,920.85 i, 
Total, $1,932,056.60 


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